A Quote by Chris Martin

I had a couple of years in the mid-2000s where it was really confusing to me. I was like, 'Why is our band sometimes a punch line?' — © Chris Martin
I had a couple of years in the mid-2000s where it was really confusing to me. I was like, 'Why is our band sometimes a punch line?'
We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
To me, you had to have a least a couple of ugly guys in the band. That's why Saxon was great.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
When I first started rapping, when I switched my style to more like a punch line style - this is when I'm like 13 years old - and I switched it to this real wordy - I was trying to rap like Canibus and like Eminem. It was real lyrical, real wordy and punch lines and, when I would come up with these punch lines and spit 'em in these cyphers, the minute the cyphers would be like, "Ohhh" and everybody would break away, it was a new feeling for me. It was like, "Oh, yo, you see what I just did?" I was addicted to that feeling, and I still love that feeling.
When the oldest batch of millennials really first began voting around the mid-2000s, they leaned a little toward the Democrats, looking a lot like the Gen Xers also did at that time.
I've spent my fortune, tarnished my public view and made myself the brunt of punch line after punch line.
We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
I had a couple of years of rebellion - I was singing in a rock band.
I had 50 pastors, ministers, I had priests, I had a couple of rabbis in a big conference room in one of my buildings. And we're talking and I could see they really liked me. But I could also see they couldn't endorse me. I said, "Just out of curiosity, why?""Well, we can't do it because we'll lose our tax-exempt status."
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.
I'm a playwright by trade, and in theater, writers have complete control over everything. Nobody can change a word without your permission. I've had a couple screenwriting experiences that weren't terrible, but they were typical, where executives came in and gave you sometimes good notes and sometimes horrible notes - but they wanted to change the movie that everybody had agreed to make. After a couple of times, it's like, "Why are we doing this?" The story is not going to turn out very good when 13 people are writing it together.
I had a bad back for a couple of years. I had to do a lot of physiotherapy for it. What I couldn't understand at the time was why the therapists had me doing a lot of stomach work.
I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
I'm writing about what's happening to me now. I mean, I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
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