A Quote by Chris Matthews
All Hollywood endings - the bad endings have to be the bad guys to be falling about 50 stories to his death and you have to see his eyeballs as he goes to his doom.
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When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
Fantasy-based ideologies invariably have neat happy endings where all the bad people and all the bad behavior goes away when the volume is turned up and enough force is applied.
He who cannot see the beautiful side is a bad painter, a bad friend, a bad lover; he cannot lift his mind and his heart so high as goodness.
A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetratable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heartm speaks and acts against his feelings.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
I always try to do true endings and that's where I got into trouble always because Hollywood wants to do happy endings.
But then, his revenge had been more direct. He’d hunted down the ones who’d killed his sister and nephew – those who’d survived his mother’s attack – and he’d made them wish they’d never been born with nerve endings.' (Acheron)
There are no happy endings... There are no endings, happy or otherwise. We all have our own stories which are just part of the one Story that binds both this world and Faerie. Sometimes we step into each others stories - perhaps just for a few minutes, perhaps for years - and then we step out of them again. But all the while, the Story just goes on.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
I'm really bad with trolls because I have a lot of really intense friends who are not necessarily doing things so legally. If I get trolled, [my friends will send me] an email with the person's Social Security number, phone number, pictures of his family, his business, his spouse. I see this person in his totality, and I feel so bad. I shouldn't have that power.
He who has calmly reconciled his life to fate, and set proud death beneath his feet, can look fortune in the face, unbending both to good and bad; his countenance unconquered.
[On the Barbie doll:] Her values, while somewhat Yuppified, are not so bad. Look at GI Joe. His only wardrobe is fatigues, he spends all his time trying to kill people, or getting his own innards splashed across the landscape. His big hobby is death.
And Father said, “There are no happy endings.” “Right!” cried Iowa Bob – an odd mixture of exuberance and stoicism in his cracked voice. “Death is horrible, final, and frequently premature,” Coach Bob declared. “So what?” my father said. “Right!” cried Iowa Bob. “That’s the point: So what?” Thus the family maxim was that an unhappy ending did not undermine a rich and energetic life. This was based on the belief that there were no happy endings.
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