A Quote by Chris McCaughan

It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.
Don't be afraid to play what you feel and what you think no matter what it is. If you play long enough, you start to move past your influences and find your own music.
You know, in this industry, being an openly queer actor or entertainer, you can play the game your way, or you can play it the industry's way. And I decided to play it my way. I played it the industry's way far too long.
One-day cricket is a very important part of our play. We've got a long way to go until the next World Cup and for us it's one ruthless game after another where we can play well.
As long as there are people trying to play music in a sincere way, there will be Jazz.
I think it's OK to play to your strengths, and if I have a quality of Englishness that people like, I won't hide that. I'm probably not going to play a junkie and that's OK because there are other people who will do it better. A view that's been held for a long time is that the best way to prove oneself as an actor is to play the grittiest roles out there. I don't agree with that.
I'm trying to be expressive on my instrument and conduct as I'm improvising. So I'm conducting with the melodies and the rhythms that I play. And so it's a very organic way. It's a lot like Charles Mingus played, cuing people in from what you play and how you play it rather than standing in front of a band, conducting and pointing.
As long as there are people trying to play music in a sincere way, there will be some jazz.
I think that the jazzy approach that I have is based on the way that I hear music and in the way I play a supporting role to the other people in the band.
The way I deal with arthritis is to keep moving. As long as I can play hard tennis, as long as I can ski or ride a horse - all kinds of things can come your way. As long as you can, do it. People who retire die. My dad retired and died shortly after. Just keep moving.
I was born very, very lazy and I don't always practice very long. but I must say, in my defense, that it is not so good, in a musical way, to overpractice. When you do, the music seems to come out of your pocket. If you play with a feeling of 'Oh, I know this,' you play without that little drop of fresh blood that is necessary – and the audience feels it.
We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
Don't play the way it goes. Play the way it is. And the way it is every time you play it, it's slightly different. Look for something. So that's the challenge not to be bored.
I just want to play ball. As long as people like the way I play, I'm cool.
I just take a tune and play it the only way I can. That's it. I don't really dwell on it very much. Some people probably do. I can only say I play it the way I feel it.
I'm fortunate: I can play as long as I want to play. There's no coach or trainer who is going to say to me that I'm dropped or sacked, it's time to move on. I can play as long as I want to play.
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