A Quote by Chris Meledandri

You have to love Dr. Seuss to take on the responsibility of conveying his work in animation or any medium. — © Chris Meledandri
You have to love Dr. Seuss to take on the responsibility of conveying his work in animation or any medium.
I'm glad that so many of Donald Pease's unique and revealing insights on Dr. Seuss--observations he shared with me on camera with an effusiveness and profundity quite unmatched--have found their way into book form. No one tells these tales of young Ted, Mr. Geisel, and Dr. Seuss, and makes the connections between the three of them, quite like Dr. Pease.
I really love animation as a storytelling medium, whether it's traditional, cel animation, or CG, or stop motion, which is more our studio's area of focus. But I find that the creatives behind any kind of animation are typically very similar, and so regardless of what aesthetic they use to realize their vision, I'm usually pretty into it.
When I was growing up, Dr. Seuss was really my favorite. There was something about the lyrical nature and the simplicity of his work that really hit me.
I'm not a fan of Dr. Seuss's better-known work, but his fables leave me awe-struck. 'Ten Tall Tales' is a collection of stories where his trademark anarchy is combined with a tautness of writing that shines an affectionate yet uncompromising spotlight on some of the absurdities of human behaviour.
Like many people, I had the powerful experience of being raised on Dr. Seuss, then becoming a parent and revisiting him with my own children. That multigenerational experience around his work is very meaningful.
Motion comics are a medium all their own. It is certainly not animation, in which a large number of artists do tens and even hundreds of thousands of drawings. The animation, or 'the reality,' is created in a computer, and the work of the original artist is the work. Nor is it a comic book. You can't turn the pages. You can't read the dialogue.
I grew up in a haunted house, reading Dr. Seuss.
As far as fiction goes, as far as everything from Dr. Seuss to Oscar Wilde to Bret Easton Ellis. Ray Bradbury. There's just tons of stuff that I love. Neil Gaiman!
Sometimes when I sleep at night I think of (Dr. Seuss's) 'Hop on Pop.'
Oh, the Places You'll Go!,' by Dr. Seuss, is still one of my favorite books ever.
'Oh, the Places You'll Go!,' by Dr. Seuss, is still one of my favorite books ever.
I always imagine that if I met Dr. Seuss, he would be very similar to Crispin Glover.
Just as Dr. King was a disciple of Gandhi and Christ, we must now be Dr. King's disciples. Dr. King challenged us to work for a greater humanity. I only hope that we are worthy of his challenge.
Every time I see the rails of my photo shoots, it's like Dr. Seuss, or as if they've skinned Muppets.
I have decided that I want animation to be taken seriously; that is the goal of my life. I believe that animation is a very important medium to tell stories, not just for kids but for adults.
The most fun is to inhabit the world where cartoon physics is king. And that just means that things move with kind of an energy and exaggeration and appeal that is different from what we see in our world. We're bound by, at least, Newton's Laws of physics here and in animation we're not. So, director's can be extremely eccentric, you can sculpt motion in animation in a way that you just can't do any other way. In any other performance medium.
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