A Quote by Chris Milk
If there's a new HBO series, you know there's going to be a certain level of storytelling mastery - that you can trust it.
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On its surface, the HBO documentary series 'Hard Knocks,' about the New York Jets' training camp, resembles another HBO series, 'The Sopranos.' Both star the stout patriarch of a New Jersey 'family' preoccupied with food, intimidation, and florid profanity.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
That's just how I see things on a base level: there's so much going on. Or at least I like to have that feeling. It's part of being interested in notions of reality apart from storytelling. I don't know if it has something to do with having an art school education, which makes you aware of the way visuals speak, or makes you trust them more.
When 'Sex and the City' aired its first season, people didn't know about HBO as a place for original series. People weren't saying, 'Oh I've got to watch 'Sex and the City'!' They found it later. In some ways, it helped change what people thought of HBO.
Notably, it was only possible [ negotiating on the Tarabarov Island], and this is very important, due to the high level of trust Russia and China reached in their relations by that time. If we reach the same level of trust with Japan, we might be able to reach certain compromises.
Television has - particularly at the HBO level in the United States - become a completely new genre. Something like Deadwood or The Wire is a whole new thing - there was no equivalent to that medium before. It's like a new way of telling stories.
I've been an actor for 30 years. I'm not going to run from a great theater production to do two days on an HBO series or something.
HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall'.
HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'
Web series is a new format, where everything, from the writing to storytelling is different. As an actor you have to approach it differently because you have a character which can go on for a long time. It is my duty to be on my toes, understand the new technology and adapt.
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
I have no idea what the economics of the movie business is, especially with all the new Amazon, Netflix, Showtime, AMC, SyFy, and HBO series. But I am intrigued with what feels like a new type of show - the six-to-eight-hour movie. It's a little too long to watch in one setting, but you can watch it over a three- to five-day period.
In my work, there is a lot of storytelling. The storytelling is not a new thing. Back in the [Howard] Thurston days, the [Harry] Houdini days, the [Harry] Blackstone days, it was stories, but the stories were, "We're going to the Egyptian temples, and we're going to vanish the Prince of Thebes," and, "On my last trip to the Orient ..."
If I was going to make a broad generalisation, I'd say that I prefer the company of women. People know now that I live with Mike Figgis, but I prefer not to talk about it. On one level, privacy is important, but on another level I have no desire to deny certain things.
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