A Quote by Chris Moneymaker

If you see me playing a $1/$2 no-limit on PokerStars, I'm probably experimenting with something, trying something new seeing how it works. — © Chris Moneymaker
If you see me playing a $1/$2 no-limit on PokerStars, I'm probably experimenting with something, trying something new seeing how it works.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.
I'm looking for things where, like with 'Ten,' I don't look like me, and I'm playing something a bit different. I'm just trying to flex a different muscle and see if it works. I've saved the world and killed monsters and done all that. Now I want to try something a bit different and a bit more challenging.
Symphony is the ability to see the big picture, connect the dots, combine disparate things into something new. Visual artists in particular are good at seeing how the pieces come together. I experienced this myself by trying to learn to draw.
On the web, people are experimenting with something new in terms of characters and stories. It is exciting for actors, as we get a chance to do something new.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
You see, pops, that's the kind of talk that's ruining the music. Everyone's trying to do something new, no one trying to learn the fundamentals first. All them young cats playing their wierd chords. And what happens? No one's working.
I've been a freelancer my whole life. It's sort of been my ethos that wherever something takes me, it takes me, so, that was really the start of me trying my hand at whatever it was at the time. I've gone from doing sculpture to videos to being a set builder and working for a general contractor to jewelry maker to now, a rapper... I just love to create. I've had a stint doing pretty much everything! It sort of doesn't matter what it is, as long as I'm doing it. I love to see something from conception to final product. I love trying new things and seeing them through.
We seem to invest so much time and belief that those things are stable in some way - something to build towards, or something to use to better understand where we come from. So often those expectations are just so out of line with how the universe works. I don't see it as a productive way of seeing the world, so, when I deal with that stuff formally - or when I try to allow it to inspire me - I'm open to it twisting itself up.
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
One of the problems of taking things apart and seeing how they work - supposing you're trying to find out how a cat works--you take that cat apart to see how it works, what you've got in your hands is a non-working cat. The cat wasn't a sort of clunky mechanism that was susceptible to our available tools of analysis.
For me, self-gratification eventually took a backseat to trying to do something collaborative with other people, to trying to make something new.
I'm trying to get an acting gig on 'CSI' or something like that, so we'll see how that works out. I'm a singer, definitely not an actor, so I just follow directions.
Because that’s how it works after something terrible has happened. You know this is true if something terrible has ever happened to you. A thousand objects take on new meaning. Everything is a reminder of something else.
I just feel like it's fascinating to me just watching my own family, seeing my cousins have children here, seeing the generations go on, and seeing how people are still very connected to their home, but are actually, of course, Americans too. That sort of a hybrided sense of self is something that I yearn to see more of expressed.
I see myself as a student. I would never call myself a master or a maestro. If you take the path of the student, that means you have to try a little bit of everything in hopes that you're going to learn something or strike some kind of new note, expression in the process. I'm not going for grades; I'm going for an education. I'm going to continue experimenting and trying new things to try to evolve and learn.
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