A Quote by Chris Murphy

From fear of the unknown, both horns and wings have grown. — © Chris Murphy
From fear of the unknown, both horns and wings have grown.
It's fear of the unknown. The unknown is what it is. And to be frightened of it is what sends everybody scurrying around chasing dreams, illusions, wars, peace, love, hate, all that-it's all illusion. Unknown is what it is. Accept that it's unknown and it's plain sailing. Everything is unknown-then you're ahead of the game. That's what it is. Right?
I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
When you say fear of the unknown, that is the definition of fear; fear is the unknown, fear is what you do not know, and its genetically within us so that we feel safe. We feel scared of the woods because were not familiar with it, and that keeps you safe.
When you say 'fear of the unknown', that is the definition of fear; fear is the unknown, fear is what you do not know, and it's genetically within us so that we feel safe. We feel scared of the woods because we're not familiar with it, and that keeps you safe.
I am a believer in angels, though not the picture-book kind with wings and harps. Such angelic accoutrements seem as nonsensical to me as devils sporting horns and carrying pitchforks. To me, angel wings are merely symbolic of their role as divine messengers.
Politics has long been a place where fear and loathing are exploited: fear of progress, fear of the unknown, fear of the other, fear of our own neighbors.
I think people resist freedom because they're afraid of the unknown. But it's ironic....That unknown was once very well known. It's where our souls belong....The only solution is to confront them - confront yourself - with the greatest fear imaginable. Expose yourself to your deepest fear. After that, fear has no power, and fear of freedom shrinks and vanishes. You are free.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
We fear the past, present and future. We fear the unknown, we fear not having enough, losing what we have, not having what we want. We fear what will become of us and those that we care for. We fear what others think of us and what they don't think of us. We fear, fear, fear and therefore we are controllable through the manipulation of all that we fear. The present War on Terror is the War of Fear. No Fear, no control.
It's a lot easier to understand things once you name them. It's the unknown that mostly freaks me out. I don't know the name of that fear, but I know I've got it, the fear of the unknown.
Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies. It's the ones that deal with the inner fear: the unknown realms and the mysticisms that are scary.
Almost all fear is fear of the unknown. Therefore, what's the remedy? To become acquainted with the things you fear.
I believe that the voices of fear, both from without and within, can only be dispelled by trusting the voice that comes from the heart. Be still and listen to it. If it speaks of love and compassion for others, for the world itself, it just might be the voice of God - or a reasonable facsimile. If, however, it snarls with fear of the unknown, fear of losing what you have or of not getting what you want, then it just might be the voice of Rupert Murdoch - or a reasonable facsimile.
Anxiety and desire are two, often conflicting, orientations to the unknown. Both are tilted toward the future. Desire implies a willingness, or a need, to engage this unknown, while anxiety suggests a fear of it. Desire takes one out of oneself, into the possibility or relationship, but it also takes one deeper into oneself. Anxiety turns one back on oneself, but only onto the self that is already known.
Part of what attracted me to the village was it had a lot of parallels to contemporary issues. Like, fear and the way fear controls us. How the governing body of a town, or a nation, controls us through fear. They might mean well by it, but we are conditioned to be afraid of things. Fear of the unknown. Fear of terrorism. And it's unfortunate.
I talk about the politics of love over the politics of fear... Fear is rooted in institutional racism. It's this fear of what's different, fear of the unknown, and looking at something that's different as deficient. It doesn't have to be that way. It doesn't have to be a zero sum game.
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