A Quote by Chris Murphy

I grew up in a pretty economically safe, physically safe household, and, you know, now my life is defined by other people's trauma and by other people's emotional experience with it, and I think I'm richer for that, frankly.
Everyone wants to be safe. Well, I got news for you: You can't be safe. Life's not safe. Your work isn't safe. When you leave the house, it isn't safe. The air you breathe isn't going to be safe, not for very long. That's why you have to enjoy the moment.
When I think about people coming out, especially young people, my first concern is, 'Are you safe? Is this a safe time? Are you in a safe place?' Do you have a network of people outside of your parents you can go to if this doesn't go as well as you hoped?
I grew up in the Valley, and I didn't know any of our neighbors. I think when you grow up like that, there's always sort of a fantasy of a place where everybody knew each other, and you had that safe sort of feeling.
I guess the reason that I'm a horror fan is that I think it gives people the opportunity to enjoy the feeling of being scared in a safe environment. I think that's why, for all of human history, we've been telling each other scary stories: because it exorcises something that we need to exorcise in a safe place.
There was a period in my life when I would say no, and I didn't know why I was saying no. In most cases, it was out of fear, just trying to be safe. Because 'no' will keep you safe. 'No' won't draw attention to you. But all the cool things are on the other side of 'Yes, And.'
I've seen people recover physical abilities, yet never get over emotional trauma after a serious accident. I've seen other people overcome the psychological and emotional trauma of a serious illness even though they may never fully regain their physical capabilities. Which is the greater healing? Which is the better recovery? If I had the option of choosing between a mediocre life with eyesight or the life I have today, even though I am blind, I'd stay blind and keep the life I have.
We must invest in affordable housing, quality education, safe parks and green space, good paying jobs, comprehensive mental health and trauma services, and other supports that will help all of our people.
Cybersecurity is a central part of the FBI's mission. It's one part of the broader safety net we try to provide the American people: not only safe data, safe personal information, but also safe communities, safe schools.
People are getting force-fed commercial, generic records that are just safe, safe, safe.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
The only safe thing is to take a chance. Play safe and you are dead. Taking risks is the essence of good work, and the difference between safe and bold can only be defined by yourself since no one else knows for what you are hoping when you embark on anything.
An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.
When an instrument admits two constructions, the one safe, the other dangerous, the one precise, the other indefinite, I prefer that which is safe and precise.
We have a motto at Naropa: 'Keep the world safe for poetry.' It's humorous but has some real bite to it. If the world is safe for poetry, it can be safe for many other things.
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