A Quote by Chris Noth

I don't know the politics of Hollywood. Am I hungry for great material? Every actor is. How I can get to it, that's another story. — © Chris Noth
I don't know the politics of Hollywood. Am I hungry for great material? Every actor is. How I can get to it, that's another story.
It's a risk casting anyone against type or what they're known to do. But there's one thing better than having a great actor, which is having a great actor who's never done what you're asking him to do. He's hungry to get out of the trailer every day and hungry to test himself.
There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
I'm not hungry for success. I am only hungry for good work, and that is how it is with most superstars. Every day I tell myself how fortunate I am to be where I am.
It is tough, every time. The ensemble is great. I would always ask Andrew, "Is this how Hollywood is? Is this how every TV show and movie is?" And he was like, "No, dude. This is not. Do not get used to this. Be thankful that this is how your first gig is."
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
I am sure it has been done with less, but you should be prepared to write and throw away a million words of finished material. By finished, I mean completed, done, ready to submit, and written as well as you know how at the time you wrote it. You may be ashamed of it later, but that's another story.
One of the things on a very practical level as an actor or actress is that when you do a play, you do the entire story every time you do it. You have eight shows a week. You have a rehearsal process of four to five to six weeks. And then once you're in performance, everybody else goes away and you're there with your fellow actors and the audience and the material and your life becomes about that. And you go through the story from the beginning to the end every time you do it and depending on how long you do it, that's where the craft comes in.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
I really appreciate an actor who has paid their dues and who has learned hard knocks and has been rewarded in the end. I don't understand young actors who get off the turnip truck and land in Hollywood and get a great job. They do not realize how fortunate they are.
As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
The way Hollywood works, you're never sure if their first thought is to make a great film and honor the material or just another business property.
The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.
We know how to be doctors, nurses, lawyers. We know how to be tweeters. We know how to be everything. But how do you just be people? How do you be present with one another? How do you be honest with one another? How do you be compassionate towards one another, forgiving towards one another? We know what to do. We don't know what to be, how to be.
It's great, it's a creative process! It's something that I've been hungry for and I feel like I'm getting fed every day! We've got Adam and Joe in the room, and it's intense but it's a good intensity, you know? It's kind of like an actor's dream.
I didn't come to Hollywood to drink or get high, and I don't want to be considered a cool actor - I want to be a great actor.
You have to be either naive or power-hungry to get into politics. I wouldn't consider it myself. I am too well-informed.
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