A Quote by Chris Noth

I like big casts. The experience of working together, that human contact - those are my roots, professionally. — © Chris Noth
I like big casts. The experience of working together, that human contact - those are my roots, professionally.
My intention always has been to arrive at human contact without enforcing authority. A musician, after all, is not a mili- tary officer. What matters most is human contact. The great mys- tery of music making requires real friendship among those who work together. Every member of the orchestra knows I am with him and her in my heart.
When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.
... women have their roots in the ground, and often those roots are starved and ravaged, yet there is not a human alive who cannot reach and touch, with... her fingers, the very top of God's rainbow.
Cooperation is working together agreeably... Collaboration is working together aggressively; and theres a world of difference between those two.
You act like a normal human being and you treat them [actors around] like a buddy because you're all working together. It's no different than being Governor. You put a team together and say, "Guys, we all want to shine here. We all want to show that this administration is going to do things that other administrations have thought was impossible. Let's kick some ass together."
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth.
Yes, for me audio-visual performance has its roots in my experience working as an improvising musician and composer.
Human history can be viewed as a slowly dawning awareness that we are members of a larger group Groups of people from divergent ethnic and cultural backgrounds working in some sense together [is] surely a humanizing and character building experience. If we are to survive, our loyalties must be broadened further, to include the whole human community, the entire planet Earth.
There are people who cannot risk loneliness with the experience. They always have to be in a flock and have human contact.
In the Washington soft money game, big business and big labor are accomplices working together to protect the mushy middle of big government, with plenty of special interest plums: Big unions get big spending and big business gets corporate welfare and special tax breaks - all at the expense of average Americans.
For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen.
Let's try and bring out the best in all of us and a positive vision of working together to solve big problems, to recognize that, yes, all is not right, things need to be fixed. We're better off solving things by working together than by pointing fingers at other people.
I do think there is something to be said for those who have significant experience at state level and have run campaigns or have been deeply involved in grass roots political campaigns and who have actual hands-on experience.
Growing up in a very big family, working together and playing together, that is something that has been part of my life since ever I was born. It has advantages and disadvantages. It's like an older style of living where everyone works in the family business.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
Such is the remorseless progression of human society, shedding lives and souls as it goes on its way. It is an ocean into which men sink who have been cast out by the law and consigned, with help most cruelly withheld, to moral death. The sea is the pitiless social darkness into which the penal system casts those it has condemned, an unfathomable waste of misery. The human soul, lost in those depths, may become a corpse. Who shall revive it?
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