A Quote by Chris O'Dowd

Comedy people are always present because they're always looking for the funniest version of whatever the line is. Sometimes theater people, where scripts are sacrosanct, aren't quite as present in scenes. That's a massive generalization, but in my experience, I find that comedy people are great to improvise with and to do scenes with because they're there.
I have to say that my background in comedy, of performing live, has been such a great foundation for what we do now on camera. I really value having that kind of experience. Because when you're doing comedy shows you're writing your own material and trying it out on people and you know people find funny and don't.
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
People who I've worked with are always like, 'Why aren't you doing comedy? You're funny!' because they've only seen the one side. I did do the comedy 'Whatever Works,' with Woody Allen and Larry David.
Originally the structure was . . . a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present. . . . So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action.
There are certain scenes in the edit you're playing with it and certain scenes don't put back together the way you imagined. Sometimes they're better and sometimes they don't have that thing, so it's never foolproof. But you certainly get an idea that here we've got enough and we've got to move on because you're always against time and money there. Whatever the budget is, you have to get practical about it.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
There are people on the ratings board and so froth who don't want certain scenes in the film. There are people who come up and say, "What graphic love scenes. I think, How can a love scene be graphic? Have you seen Total Recall? In this R-rated movie you see a man who you've seen being in love with and sleeping with this fabulous woman shoot her right through the head. "Consider this a divorce" is supposed to be the funniest line in the movie.
When 'The Thin Blue Line' came out, I was criticized by many people for using reenactments, as if I wasn't dedicated to the truth because I filmed these scenes. That always and still seems to be nonsensical.
I'm connected with a lot of different paranormal groups out there worldwide, a lot of different spiritual people. My networking over the course of the past 40 years has really grown where I deal with quite a bit. There's a lot of work that I do behind-the-scenes that I just don't ever talk about or things that don't always come to the forefront as far as investigating and getting involved with spiritual people, meaning any type of clergy, because I do work with a lot of them behind-the-scenes.
I've always been attracted to comedy that was really close to the line and made people a little uncomfortable, because that's where progress comes from.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
I always tell people if you want to do something, go to a great comedy show. And that's what I try to do: give people a really good comedy show.
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