A Quote by Chris Pavone
Lexicon grabbed me with the opening lines, and never let go. An absolutely thrilling story, featuring an array of compelling characters in an eerily credible parallel society, punctuated by bouts of laugh-out-loud humor.
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Every now and then, someone will tell me that one of my books has made them laugh out loud. I never believe them because: a.) my books don't make me laugh out loud; and b.) sometimes I have said this to a writer, when really what I meant was, 'Your book made me smile appreciatively.'
Penelope Fitzgerald never fails to surprise: her language is clever and elegant, her settings are unusual, her characters are unpredictable, and I am always caught out by a line or moment which makes me laugh out loud.
I have always been drawn to coming-of-age stories and books and movies featuring compelling young characters.
I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.
The environment forces you to be utterly dependent between "action" and "cut" because the environment is perfect on your fellow actor. So as an acting exercise, it's absolutely thrilling that the focus that we had to bring to each other echoed in life, echoed in art. And when you get that parallel, it's really thrilling and it's full of surprises, but it all has a logic.
We are all bumbling along,side by side, week in, week out, our paths similar in some ways and different in others, all apparently running parallel. But parallel lines never meet.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
When there's characters out there that don't have humor, I don't find them as believable, because we all have humor, no matter what level it is, we all use it every day, no matter what situation we're in, we'll try and have a bit of a laugh even if it goes wrong.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.
I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I can't fall apart every time I mention that my mother's gone. I actually laugh about stories or things or situations. Of course there's a wound that will never be patched up, but I approach it with humor. Of course, I don't overlook it and go straight for the humor, but I think we have to have humor to move forward.
Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
So I hope that there are people out there laughing. Laugh loud, please. Laugh until your lungs give out because I will have the last laugh.
I never really wanted to be a writer. I know it sounds strange, but I honestly believe that I didn't pick the story; the story has picked me. I've written absolutely no fiction before 'The Immortals of Meluha.' Not even a short story in school - absolutely nothing.
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