A Quote by Chris Pavone

I always wanted to write. But honestly I'm glad I didn't do it back when I was twenty-five or so, when it's now clear to me that I was a very poor writer and could've ruined my career before it even started.
I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
Suppose it was demonstrated that one out of twenty alcoholics could learn to become a moderate social drinker. The experienced clinician would answer, 'Even if true, act as if it were false, for you will never identify that one in twenty, and in the attempt five in twenty will be ruined.' Investors should forsake the search for such tiny needles in huge haystacks.
There is and always has been for me a peculiar need to write. This is very different from wanting to be a writer. To be a writer always seemed something so far removed from my talents and abilities and imaginings that it didn't afflict me at all as a notion when I was young. But I was always conscious that I wanted to write.
I was pretty happy with how my career had gone, mainly because of the enormous freedom I've had to write what I've wanted to write. I had a very clear picture of who I was as a writer.
I always felt journalists had a very clear idea of what they wanted to write about me before the interview began.
Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
For years I taught in universities and high schools for classes of 30 or 35 students. Now I teach in very large venues with thousands of people in the audience. I used to have notes. Now I just let go and let God. I just allow it to come, and I didn't do that before. I never even used the word "God" for twenty or twenty-five years. Now it just rolls out of my mouth all the time.
Early in my career as a domme, I both admired and feared becoming one of those career dommes. I saw, in myself, and in some other women in that industry, the way that sex work could eclipse the other parts of your personality, the way that I started to feel as if I wasn't qualified to do anything else. I had always known that I wanted to be a writer, and I stopped writing for a time while I was domming; the experience subsumed my other interests, and it scared me. Now, however, I have nothing but admiration for them.
I always wanted to write, even before I realized that there was a comedy writers' world, or what that life was like. I never thought of myself, at least as a little kid, in terms of being the onscreen talent. I always thought it'd be so much fun to write sketches and be a writer. Even as little as 6 or 7, that's what my main interest was.
The film business has changed and society has changed. I started acting before the internet, which is insane to say. That makes me sound so old! You evolve, and the kind of career I thought I wanted, even six or seven years ago, was completely different from the career I have now, and I couldn't be happier about it. It's been a crazy trip.
I am a muso, and I love doing it. I assumed that would be my career for a long time. I always wanted to be a writer, but I didn't think that anyone could actually be that full-time, so I always go back to conducting and arranging and playing. If you scratch me, I'm a musician.
Before Alaska came along and ruined everything, one of every twenty-five square miles in America was Montanan. This much space has nurtured a healthy Cult of Place in which people find perfection, even divinity in the landscape.
It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't mean to.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
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