A Quote by Chris Pavone

Every book that doesn't first have to get past a gatekeeper or two, or 10, before being put in front of the public will be worse. — © Chris Pavone
Every book that doesn't first have to get past a gatekeeper or two, or 10, before being put in front of the public will be worse.
Luckily, I'm not a stand-up comedian, so I don't get the fear of standing on stage in front of a dead audience: my humorous pieces have to make it past an editor before they get exposed to the public.
I like to read to my kids before bed. With my first two sons we went through every Wizard Of Oz book, every original, Frank Baum Oz book.
The simple truth is that being a creative artist takes courage; it’s not a job for the faint of heart. It takes courage each and every time you put a book or poem or painting before the public, because it is, in fact, enormously revealing.
I spent three days a week for 10 years educating myself in the public library, and it's better than college. People should educate themselves - you can get a complete education for no money. At the end of 10 years, I had read every book in the library and I'd written a thousand stories.
You see it every week, when a player makes a mistake, his first action is to try and put it right, and nine times out of 10 the first thing they do when they've made a mistake is take out everyone in front of them because they want to make amends.
With my first book, I was hired to write a draft of the script. I was so young and less confident. They put me through seven or eight drafts and it was just getting worse and worse, and then the film was never made.
In 2009, it was forecast that the number of single-person households would increase by two million in 10 years, suggesting that social isolation will only get worse.
The Internet has really democratized ideas. There are no real gatekeepers any more, because if you have a great idea, and you put it online, people will find it and it will get in front of who it needs to get in front of.
I do my best writing between 10 p.m. and 5 a.m.. Almost every friend I have who is a consistently productive writer, does their best writing between 10 p.m. and 8 a.m. My quota is two crappy pages per day. I keep it really low so I'm not so intimidated that I never get started. I will do the gathering of interviews and research throughout the day. I'll get all my notes and materials together and then I'll do the synthesis between 10 p.m. to bed, which is usually 4 or 5 a.m.
Night after night in the '50s, I traveled all over New York City. The promoter had 10 acts, and the winner each night would get five dollars; second place would get three dollars, and third place would get two dollars. He always put the best acts on last so the people wouldn't walk out, and the worst acts went on first. He always put me on first.
The thing about being an artist today is you get to develop right in front of people's eyes before you even put out an album.
I'd never put much thought into writing an autobiography before, because while I have this public persona of being extremely confident, I also am extremely filled with self-doubt, worry and insecurity. This book came about because I was trying to sell another book, unsuccessfully, about health and wellness.
There are worse things than having behaved foolishly in public. There are worse things than these miniature betrayals, committed or endured or suspected; there are worse things than not being able to sleep for thinking about them. It is 5 a.m. All the worse things come stalking in and stand icily about the bed looking worse and worse and worse.
It's OK to argue with your friends. Guys can do it better than girls, usually, but if you ever get into a fight with a true friend or a spouse or a boyfriend, get it out, fight, be angry for five minutes, and then move past it. Don't let it fester; don't hold a grudge. If you do, that's when it will get worse and worse.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
You can put 10 Dominick Cruz's in front of me, I'll knock them all out. 10 out of 10.
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