A Quote by Chris Pine

When I was 18 I was an emotional wreck and I couldn't imagine having to deal with some kind of fame. — © Chris Pine
When I was 18 I was an emotional wreck and I couldn't imagine having to deal with some kind of fame.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
There's something really emotional about not having any sound. That allows, I think, the audience to participate more actively and kind of imagine what are they talking about there?
Fame does lead to money, which I don't have a close relationship with. I'm the kind of guy who never sees the money - it all goes somewhere else. I don't understand it, I don't like to deal with it. I have a fear of not having it, because I grew up without it.
Even those who write against fame wish for the fame of having written well, and those who read their works desire the fame of having read them.
Fame is often called a deal with the devil. Reality show fame is a really bad deal with the devil.
I do sort of believe that in life all manifestations of evil usually come from an emotional place. They come from some kind of emotional heartbreak or some psychological damage. I'm not a psychologist and that's probably for the best but I am interested in it.
Babies are wonderful, important things. Having kids, even the thought of having kids, is a big emotional deal. But sometimes it can cause people to change their financial plans and directions.
I want that Sinatra type of fame. It's not the 'Whoever's the hot pop star at the moment' fame. It's the 'Walk into a room and everybody just kind of politely nods their heads' fame. Sinatra fame.
My job happens to be sports-related, so it's like my duty to watch football. It's my job. But that's not a change for me. When you're 18, it's life and death, because you don't have a kid, and it's a much bigger deal when you're 18. Having a kid - when the Vikings lost the 2009 NFC title game, it sucked, and I'm not happy about it, but my kid is still alive. You have to have that horrible forced perspective that you don't want.
I don't know what other singers feel when they articulate lyrics, but being an 18-karat manic-depressive and having lived a life of violent emotional contradictions, I have an overacute capacity for sadness as well as elation.
I lived on my own when I was living in New York City when I was 18, working on a show. And that definitely kind of grows you up a little faster than a normal 18-year-old in college, so I think so. I think I've got some street smarts.
The Nazz survived for 18 months - that was my first taste of fame on some level and of the overall experience of being in a band. There are good and bad aspects, and I got to taste some of both, and, well, it's not as much fun as what you see in 'A Hard Day's Night,' let me just say that.
I was an emotional wreck even as a young child, fearful and tearful.
After my head injury, I was, like, bipolar, an emotional wreck.
They kind of took it out of our hands. We're still able to deal with him on an emotional level.
I'm not a super emotional person, so that's one reason I love acting - it makes me deal with myself in that kind of way.
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