A Quote by Chris Pine

'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
It was really important to try to reach a whole new audience so we had a lot of people in who not only had not seen the last film but were not Star Trek fans, or thought of themselves as not being Star Trek fans, or they had seen bits and pieces of Star Trek in the past and it was just not for them.
'Star Trek' is still my signature role because once you do a 'Star Trek' series, it's never really out of the marketplace.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
When Gene first contacted me for 'Star Trek,' he gave me the part of Spock to read! I'm glad I didn't take it because I don't think anyone could have played Spock better than Leonard Nimoy.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
I'm not really scared of a lot of things. I'm scared of possums. And I'm scared of raccoons sometimes, it depends on how big it is - I'm scared of the smaller raccoons because the bigger ones are slower.
I grew up watching 'Star Trek.' I love 'Star Trek.' 'Star Trek' made me want to see alien creatures, creatures from a far-distant world. But basically, I figured out that I could find those alien creatures right on Earth. And what I do is I study insects.
When people ask me, 'Should I earn the same money as the men?' No, I don't believe I should because they're on a bigger scale than me, they have more fans, are more popular.
I got into writing to become a 'Star Trek' writer. I was a rabid fan. I had shelves and shelves and shelves of action figures in my bedroom that scared away more dates than I care to admit to.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
I think 'Star Trek' has a really beautiful legacy of humor, along with the more philosophical and action parts of 'Star Trek.' And so I felt pretty honored to get to keep that legacy going.
In our first season we had a 22 rating. Today Seinfeld, a hit show, gets a 15. Lost in Space actually had a bigger audience than Star Trek got at that time.
I felt like I could take the responsibility and make the Nas movement bigger and not keep it confined to the Tri-State area, so to speak. He allowed me to do that. When we were together, we made a lot of noise, and I made him an international star.
I think everyone agrees First Contact was our best film, and even at that, they're kind of... I don't know, they're sort of movies. But they're kind of really Star Trek movies, if you take my meaning. It's hard for me to say. I was glad to be doing them. Whether they were good isn't really up to me to determine, and it doesn't matter what I think. I thought we had a really nice script on Nemesis, and the audience didn't seem to care for it, so what can you do?
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