A Quote by Chris Pine
I like kind of natural, woodsy earth tones. I like patchouli. I like tobacco. I like sandalwood. I like tree resin. I'm not a huge fan of citrus - I like things that are kind of moodier and... more deeper base notes.
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I love earth tones, jewel tones and everything that is natural. I also like natural materials like cottons, silks... I don't like synthetic. Even the wood we use has to be authentic.
I like albums. I like holding them, seeing what they're all about, you know? I like reading liner notes. Even if it's a CD, you're getting kind of an idea of what the band is coming from. Or what they want you to think they're coming from. I like that.
In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.
I think when, like, things like 'The Wizard' and even like 'Tron,' when it first came out, I was a teenager, and, man, I really wanted to kind of just kind of disappear into it.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
But I kind of reframed my thinking, where I don't feel like filmmaking is what defines me anymore. Like, I feel like I'm much more defined by my family and other things in life that, that I feel are much deeper to me.
I used to wear the sweetest, gnarliest things that smelt like candy. That said, I've always burned incense - a real hippie situation - and have forever been drawn to patchouli, musk, woodsy scents and rose.
I like to make people laugh. I like that kind of silly stuff. For me, it's a natural thing to want to do something like this.
By the way, everybody approaches acting differently. Like, I'm kind of sloppy and I like it kind of loose. I like to kind of play around. Some people don't.
Be like a river in generosity and giving help. Be like a sun in tenderness and pity. Be like night when covering other's faults. Be like a dead when furious and angry. Be like earth in modesty and humbleness. Be like a sea in tolerance. Be as you are or as you look like.
Sometimes I catch myself if I'm shopping, and I'm like, 'I want to hide my thighs and my arms.' And then I kind of take a minute where I'm like, 'No, that's not really being kind to yourself. Maybe learn to embrace things that we're taught as women not to like.'
When you're in the studio, you can't be like, 'I want to make music that everybody will like!' You have really understand your fan base, what they like, and that's what you do it for.
Like AEW, it kind of feels like they're treating you like a professional athlete, and Lucha Underground is like a lot of TV production stuff. It felt like they treated you like a professional actor. The treatment was just above that for a wrestler.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
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