A Quote by Chris Pratt
It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.
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I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
One of my idols is my dad. All his work in Motown, and just the way he conducted himself as a human being was always interesting to me, and it seemed like the successful way, and it is a successful way, and I always wanted to do that. He's funny, and all that stuff.
I've always had a resting expression that either makes me look deep in thought or as though I'm about to fight you. I've lost count of the number of directors asking me what the problem is when all I'm doing is sitting still and being.
It's good that there is more support of diversity but there is still a lot of resistance. I never saw it as fighting for a cause, though, for me it was spontaneous, I was doing what felt natural to me. I felt a part of it. I have always been attracted to what is new, interesting, funny, creative, the good things that were happening at that time in the world.
Nobody wants to know what I'm doing 24 hours a day, they'd be painfully bored, trust me. At the same time, if I'm doing something interesting or funny, I like being able to share that with my fans.
He's a funny man, Dumbledore. I think he sort of wanted to give me a chance. I think he knows more or less everything that goes on here, you know. I reckon he had a pretty good idea we were going to try, and instead of stopping us, he just taught us enough to help. I don't think it was an accident he let me find out how the Mirror worked. It's almost like he thought I had the right to face Voldemort if I could.
It's funny what you really see when you're the subject of the completely bizarre gossip magazine industry. It's just like, 'WHAT?!?' All this stuff with Emilie [de Ravin, his costar in Remember Me] as well. The tabloids say stuff like 'They went on a date to an Indian restaurant.' We were doing a scene! There's a film crew there!
People always ask me, Do you ever think you'll wake up one morning and not be funny? That thought would never occur to me--it's an odd thought and not realistic. Because funny and me are not separate. We're one.
I always had trouble being proud of how they were using me in WCW. It was hard for me to be interested in what they were doing, and what they were doing with me was pretty pathetic.
I always knew she was being funny, but when I tell my therapist that my mom played the trust game with me and let me fall on the ground, my therapist does not find that funny. She's like, "That's the reason for everything! That's why you have such a hard time with trust!" And I'm like, "I don't really have a hard time with trust. I thought it was funny."
I remember it made me feel better because so many of my friends at school. Were doing that stuff and doing that stuff on sleep overs. But I just didn't feel ready. It wasn't like I had any judgment of it being two women. It would have scared me as much if not more. I was like a three month period in which all the words sleep over was code for was "let's get together and touch each other's vaginas." and I was. Haunted. And I remember going home and feeling like I couldn't tell my mother even though she would've understood and probably laughed.
I've always thought that as long as directors and casting directors don't see me as just Harry Potter, I'll be OK. People have shown a lot of faith in me, and I owe them a huge debt. They're letting me prove that I'm serious about this.
I was really sensitive because people would say they thought I was a boy or call me a boy and stuff like that. I always had my hair back and, like I said, baggy clothes. So it was kind of sad. I didn't know what to do about it, and I didn't know what I was doing wrong because I was just being me.
The drawings in 'Portal' were actually me scribbling that stuff... I had a funny moment when I realized that someone gotten 'The cake is a lie' tattooed on themselves. It was really interesting to see my handwriting tattooed on another human being. That... that's odd.
People always tell me, 'You should do drama. You should do drama.' Even when I first got an agent, they were like, 'We want to send you out to be dramatic.' And I'm like, 'No. I'm a comedian. I'm funny. I want to do funny stuff.'
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