A Quote by Chris Raschka
I want each and every entire brushstroke to be seen. I want the marks made by the tip of the brush to carry as much meaning as the marks made by the dragging tail end, the part that splits open as the paint pulls away, thins and dries.
Related Quotes
I want to make portraits and images. I don't know how. Out of despair, I just use paint anyway. Suddenly the things you make coagulate and take on just the shape you intend. Totally accurate marks, which are outside representational marks.
I want my pictures to be things. I want them to be made up of marks that are physically and individually self-sufficient.
O was infinitely more moving when her body was covered with marks, of whatever kind, if only because these marks made it impossible for her to cheat and immediately proclaimed, the moment they were seen, that anything went as far as she was concerned. For to know this was one thing, but to see the proof of it, and to see the proof constantly renewed, was quite another.
Wherever there is possession of marks, there is fraud ; wherever there is no-possession of no-marks, there is no fraud. Hence the Tathagata is to be seen from no-marks as marks.
[Airline food] is the tiniest food I've ever seen in my entire life. Any kind of meat that you get - chicken, steak, anything - has grill marks on each side, like somehow we'll actually believe there's an open-flame grill in the front of the plane.
I wish not to be regarded as an advocate for the particular organizations of the several state governments . . . they carry strong marks of the haste, and still stronger marks of the inexperience, under which they were framed.
When I want to end a relationship I just say, 'You know, I love you. I want to marry you. I want to have your children.' Sometimes they leave skid marks.
The Biblical text does not have punctuation marks like periods and question marks. Where we end sentences is a matter of interpretation.
every story written is marks upon a page The same marks, repeated, only differently arranged
I understand that I will be made to suffer for my actions, and that the return of this information to the public marks my end.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
Those modern analysts, they charge so much! In my day, for five marks Freud himself would treat you. For ten marks he would treat you and press your pants. For fifteen marks Freud would let you treat him - that included a choice of any two vegetables.
I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
Liberals dispute that Reagan won the Cold War on the basis of their capacity to put mocking quotation marks around the word, won. That's pretty much the full argument: Restate a factual proposition with sneering quote marks.
In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage. Michelangelo 's definition of art as the purgation of superfluities suggests that the creative effort consists largely in the elimination of that which complicates and confuses a pattern.
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