A Quote by Chris Rea
Eric Clapton's scales - when he comes off a high note and it's time for a refrain or a little bit of a rest, he peals off scales going downwards that are so good it's unbelievable.
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I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together?
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
No disrespect to people that don't use music theory or don't know it. It does help to be able to figure out what key a song is in, even though with your scales you can figure it out so you can set your Auto-Tune right. So many songs with Auto-Tune are off or have the wrong note playing on the 808. And they pass it off as being hood.
The scales of justice often, in my head, are unbalanced. And so my job is to try to balance out those scales.
Everything that creates itself upon the backs of smaller scales will by those same scales be consumed.
Get digital scales because, for baking, balance scales just aren't accurate enough: it's all in the weighing up.
We spend our lives on a thin slice between the unimaginably small scales of the atoms that compose us and the infinitely large scales of galaxies.
It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales. I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton ... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.
To us large creatures, space-time is like the sea seen from an ocean liner, smooth and serene. Up close, though, on tiny scales, it's waves and bubbles. At extremely fine scales, pockets and bubbles of space-time can form at random, sputtering into being, then dissolving.
Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
The one thing I do have is good ears. I don't mean perfect pitch, but ears for picking things up. I developed my ear through piano theory, but I never had a guitar lesson in my life, except from Eric Clapton off of records.
Whenever I hear my playing, I can't detach from my influences: there's my Jeff Beck, there's the Clapton bit, the Eric Johnson bit, the Birelli Lagrene bit, the Billy Gibbons.
For me, the natural world is always telling big stories about humongous scales of time. And I often feel simultaneously terrified and humbled by those scales and in awe, and delighted that I get to be here; that I'm lucky enough, that we are lucky enough to get experience these things for the tiny finger snap of time that we get to be on Earth.
You do certain things in your twenties that are just not appropriate in your thirties and certainly not appropriate in your forties. Eventually you even the scales, and it's time to move on and become an adult and start working hard again and going to sleep a little bit earlier. Fortunately, I got a job to facilitate that transition.
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