A Quote by Chris Riddell
I'm not a painter by any stretch of the imagination; I'm a dyed-in-the-wool traditional illustrator, and I begin with black and white. If I need colour, I add it over the top. There's a calligraphic element to it... it's about the texture of lines on the page.
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The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.
It was very challenging, trying to add an orchestra on top of these traditional African rhythms, because as soon as you add any kind of melody or chords over it, it stops feeling African.
I am a Republican, a black, dyed in the wool Republican, and I never intend to belong to any other party than the party of freedom and progress.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
I think the dyed-in-the-wool, hard-core liberal - and remember, the more dyed-in-the-wool, the more hard-core, the more ignorant they are, and yet they don't know that. They think they're the opposite of ignorant. They're the last to fall, and some of them have dug themselves so deep now here in opposition to [Donald] Trump I don't think that they can ever in their minds with credibility.
I rely on accessories to add color and texture; if I'm already wearing something attention-getting, neutral-tone pumps keep the look from going over-the-top.
One of the amazing things about Spider-Man is that you don’t see skin colour when he’s in the suit. You don’t see any religious beliefs. A hero is a hero, whether you’re a man, woman, gay, lesbian, straight, black, white or red all over ? it doesn’t matter.
Ned was clad in a white linen doublet with the direwolf of Stark on the breast; his black wool cloak was fastened at the collar by his silver hand of office. Black and white and grey, all the shades of truth.
Part of my preparation is I go and ask the kit man what colour we're wearing - if it's red top, white shorts, white socks or black socks. Then I lie in bed the night before the game and visualise myself scoring goals or doing well.
It is wonderful how much depends upon the relations of black and white A black and white, if properly balanced, suggests colour.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
By going over your day in imagination before you begin it, you can begin acting successfully at any moment.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
I'm what I seem; not any dyer gave, But nature dyed this colour that I have.
The colour grey makes you feel uneasy, makes things seem complicated and hopeless, it upsets the notion of black and white. Good and evil? There is no such thing. There is a little good and a evil, a little black and a little white. Grey is not an attractive colour, but perhaps it is the one that describes the world most accurately.
There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.
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