A Quote by Chris Roberson

I'm always really comfortable writing strong, smart ladies. That's kind of my bailiwick. — © Chris Roberson
I'm always really comfortable writing strong, smart ladies. That's kind of my bailiwick.
Starting probably with Janeane Garofalo and that era of stand-up ladies who were starting to be more brainy and strong and clever, guys started noticing those girls as sexy smart. I always called it smarxy.
I just feel like I'm a part of a really cool group of ladies, really good actresses. And each of them kind of does it in their own way, but the character itself is such a great, strong lady that I like that they keep reinventing her.
The kind of people that all teams need are people who are humble, hungry, and smart: humble being little ego, focusing more on their teammates than on themselves. Hungry, meaning they have a strong work ethic, are determined to get things done, and contribute any way they can. Smart, meaning not intellectually smart but inner personally smart.
I was sent this thing called 10 Things I Hate About You, which I thought was really sweet and female-centric and kind of cute and smart, with a really smart script. So I auditioned for it and got it, and I'm really glad I did, because the movie has a life of its own.
I've always liked older ladies. I'm comfortable with it. They seem to be nice. They've seen it all.
Somebody who's really comfortable with who she is and doesn't care what other people think. I like women who are really strong and were brought up to be comfortable with themselves and respect themselves.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
Men are strong, women are smart, but no matter how smart, their bellies are always there to betray women and that's their downfall.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it.
For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
There's also the idea in this country [USA], it's not wholly new, but it's new in its kind of purity, in that you have to be really smart to be really rich. I always say to people, the reason people believe this is a) they've never met a really smart person, and b) they've never met a really rich person. I have met both, and I cannot see the crossover. You do not have to be a genius to get rich. You have to be ruthless to get rich.
Being smart in the arts is the same as being smart in engineering is the same as being smart in writing is the same as being smart in anything, really. It's the ability to manipulate all the pieces of the puzzle in your mind, try to fit them together, and when they don't fit quite right... you sand the edges/corners and make them all fit.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
These Wall Street types, they're not exactly the kind of people you want your children turning into. They're really not very smart. They're certainly not thoughtful or kind. They're often poorly-educated, mostly ignorant and always self-interested and greedy.
I always had this put-together family, and I always identified as the outsider. And that's a position where I feel most comfortable, and yet I feel an incredible longing to belong. That is really a strong feeling from my childhood - a desire to be part of a group.
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
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