A Quote by Chris Robinson
Since the early Nineties it's been very fashionable to say, 'It's all about the music.'
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I've been an art collector since the Sixties, and I kept it very separate from my showbusiness career. I've had art shows since the early Nineties, a museum show that travelled to four countries. I've had three or four art books; it's just another way I have to tell stories.
I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.
To me, 'Crash Love' is the most stripped-down record that we've made since the early Nineties, and I would say that 'I Hope You Suffer' is indicative of the overall tone of this record in being the opposite of that.
I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.
I have very eclectic taste in music. I like everything from Nirvana, which is featured in the film, to world music, to orchestral and jazz. For me, the nineties were about Oasis, because I was travelling around Britain when that band exploded onto the music scene.
Since the early 1990s, I had been very worried about the state of the environment, and by the end of that decade, I realized I needed to do something about it.
I have been interested in the 12th century since my 20s when it was very fashionable to say of anybody with whom you disagreed, which was basically anybody over the age of 30, "One of the great minds of the 12th century", and one day I thought, "I don't know anything about the 12 century." So I started buying books, reading about it, and I discovered it was a period of great flowering, it was a Renaissance before what we think is the Renaissance, the Italian Renaissance of the 16th century.
I made the big turnaround in the early Nineties when I started hearing all the tenth generation punk bands like Green Day and Offspring and all those people. It just made me fall in love with punk again and remember my roots, and since that time I've always wanted to do more of that kind of music again.
I've been collecting synths since the late '80s. They weren't very fashionable then, so you could pick up pretty cool stuff for a few hundred quid.
Early Nineties - that was what it was all about: how people dressed on the terraces.
I've been using Steinberg's Cubase exclusively to record and mix my music since the very beginning of my career. It's no exaggeration to say that Cubase has been my partner in bringing my music and message to the world, and, now, they are helping to bring my story to the world as well, as I record the audiobook of my novel.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
I went public with the alcoholism, very early on... the early '70s. Mercedes McCambridge, the actress, I think was the first recognizable person that went before Congress and talked about it, and I thought that was a good idea, to take some of the stigma away from it and say "Normal, average people can fall prey to it." So it's been public for me. I did a movie about an alcoholic. And today, you're nobody unless you've been to rehab. It seems like everybody has some kind of an addiction.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
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