A Quote by Chris Rock

Wealth is not about having a lot of money; it's about having a lot of options. — © Chris Rock
Wealth is not about having a lot of money; it's about having a lot of options.
'Great Expectations' has been described as 'Dickens's harshest indictment of society.' Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
Great Expectations [book by Charles Dickens] has been described as "Dickens's harshest indictment of society." Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
I purposely don't talk about money, because people are already skeptical about TV preachers. But I do say that I want you to be blessed. To me, prosperity is having health, having great children, having peace, good relationships. It's not about the money.
I've learned that having a lot of money is more fun than not having a lot of money, and that once you've got it, it tends to grow all by itself, like a fire.
What he's really talking about - and I'm speaking for Mike Flynn, not Donald Trump - is that he's saying, essentially, we have to have options. We have to have a lot of options. And, frankly, we do. We do have a lot of options.
It doesn't matter about money; having it, not having it. Or having clothes, or not having them. You're still left alone with yourself in the end.
It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.
I came into business to make money, I make no apology for that. I wanted to make a lot of money but after the first £50million or £100million, it became less about making money and more about having fun.
The most important thing about being on a football pitch is having options. That's what makes players look good. If you get the ball in possession and you look up and you've got three or four options, it's so much easier just having one or maybe two.
There's a big difference between having relatives who have money and actually having it yourself. Just because you have a cousin who has a lot of money doesn't mean he shares it with you. Or that you'd ask him for a loan.
A lot of the people I was writing with think a lot more about lyrics and a lot more about the details from the beginning. That kind of thinking made me a little self-conscious because I was suddenly having to judge what I was doing early on in the process.
The new American Dream is about having an interesting life, not making a lot of money.
Success comes in a lot of ways, but it doesn't come with money and it doesn't come with fame. It comes from having a meaning in your life, doing what you love and being passionate about what you do. That's having a life of success. When you have the ability to do what you love, love what you do and have the ability to impact people. That's having a life of success. That's what having a life of meaning is.
For receivers... it's a lot about timing, having chemistry with your quarterback to be successful and having a guy that you work with over the course of years.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
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