A Quote by Chris Rock

I'm like the Hulk on stage. It's way over the top. That's Bizarro Chris. Sometimes I get off stage and go What did I say?! I'll watch one of my stand-up specials a year later and go Eww, that was mean.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it go.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
Stand-up is not something that you're good at right away. You have to do it a ton. But, I think I got to shave a year off because I didn't have to get over stage fright.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
Part of the problem of comedians doing specials every year - when the masters do it, it's like, 'Okay, I guess, go for it' - but when people aren't at the top of the top level, bits don't get to cook long enough.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I love being in an arena that has like 10,000 people and huge crowds. I want to do a show at like the Viper room so badly. Like go up on stage and thrash myself around, go jump into the crowd. You can effing swear, get drunk on stage and do whatever you want basically.
I take a subject, then I go on stage, and whatever is in there comes out. You can edit as you go and continue to work it out on stage until it's something you like, but I never think about it. I just go up and flow.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
I never know what I'm going to say as I walk up to the microphone. I try to be in the moment. I try to go deeper into myself. I discover things on stage that I don't discover off stage about me.
If you want to do standup, you have to go on stage. That's the only way to get good - stage times.
The central task of science is to arrive, stage by stage, at a clearer comprehension of nature, but this does not at all mean, as it is sometimes claimed to mean, a search for mastery over nature.
Music and dance influence my style in a lot of ways. Sometimes I go off to work dressed up like I'm going to hit the stage and perform.
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