I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
A lot of times people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other. I think it would be highly unusual to find comedians who want to be at a loud, crowded party.
I'm a comedian because I want people to like me. That's really why all comedians are comedians.
I'm a comedian, and the other comedians are played by comedians, the same way that in 'Once' there are the musicians that hang out together.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.
A lot of times, people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other.
You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.
Comedians have to challenge the power. Comedians should be dangerous and devastating - and funny. That's the hardest part.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
I knew nothing about professional comedians when I became a comedian. I was a rabbi. So I had no professional comedians to learn from.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
People are going to label you anyway, but the one that bugs me the most is when they say, 'One of the funniest female comedians.' There's s no 'funniest male comedians.' You're either a funny comedian, or you're not!
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.
I was brought up with TV comedians. I'll remember them till I go to my grave, all those comedians, as decadent fluff.
I think it's kind of crazy that we're still calling comedians "female comedians." That seems more like a sneak attack.