A Quote by Chris Rock
When a musical act performs, the black audience goes crazy for all the stuff, the album cuts, everything. White audiences, they're nice and all, but they're not going to lose it until they get the hits. Comedy is the same thing.
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It's a juggling act. Every time I get going on the album stuff or being musical, acting kicks in and I book a job. It comes down to a money thing.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
I've been called a race traitor, prejudiced about white people. It's ridiculous... I have a really, really diverse crowd. Most comedy clubs appeal to white audiences. I have a very mixed crowd. I have a lot of visibility in the black audience.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.
Chanting just hits you and you want to be a part of it. That’s the point of this whole thing. That’s what cuts through all the ‘stuff’. You get lit up. You don’t have to know what it means.
We're not like a nostalgia act, or the normal classic rock act - we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.
The fact I even get an opportunity to make one album is crazy. But if all goes to plan, I'll get to make five albums. That'd be nice.
Donald Trump's a hell of a performer, he's a hell of an entertainer. If you put him on and let him say his crazy stuff, you're going to get a lot of viewers. If you take him off and have some sober discussion about what's going on in Syria, you're going to lose 80 percent of your audience.
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
The thing about being black in a mostly white industry, particularly as a black male, is you can't lose your temper in the same way. Essentially, you are an angry black man losing his temper in a way that's unprofessional, as opposed to an industry that has protected unprofessional white males in perpetua.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both.They're just different modes of expression.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both. They're just different modes of expression.
To adjoin the instinctual nature does not mean to come undone, change everything from left to right, from black to white, to move the east to west, to act crazy or out of control. It does not mean to lose one's primary socializations, or to become less human. It means quite the opposite. The wild nature has a vast integrity to it
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