A Quote by Chris Rock

No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.' — © Chris Rock
No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.'
I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
If you are going to do anything, you must expect criticism. But it's better to be a doer than a critic. The doer moves; the critic stands still, and is passed by.
No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
I realized that everybody is a critic. They're going to say they hate you, they love you, they this, they that, but at the end of the day, no matter what, I have to be confident in myself as a man and an artist.
I learned more in the rehearsals for 'The Letter' than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
Your harshest critic is always going to be yourself. Don't ignore that critic but don't give it more attention than it deserves.
Your harshest critic is always going to be yourself. Don't ignore that critic, but don't give it more attention than it deserves.
My husband is my most ruthless critic... sometimes he will say, 'It's been said better before.' Of course it has. It's all been said better before. If I thought I had to say it better than anybody else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it our own way. Not of our own will, but as it comes out through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.
You become a film critic because you're interested in film. I don't know whether knowing so much about cinema leads you to make better films, but it certainly can't hurt.
Acting in film, you know, I hear all the time, people say 'You did so much better than I thought you would.' So there's an added element of surprise in film, different than in music.
My father kind of had hopes that I was going to become an artist like him - the typical thing. Of course I could play guitar better than him when I was about 12. But I couldn't paint better than him. So I went, 'I'm going to be the guitarist of the house, not the painter.'
I learned in grade-school that after WWII European politicians considered sending Jews to Madagascar instead of Palestine. At the time I thought: Madagascar would've been so great.
It's obvious to say you can't please everybody and there are always going to be people who are going to say, I just don't like you. There's nothing I can do about that. I'm aware, probably much more aware than my harshest critic, of what my own problems are with my acting ability. I'm very, very critical of myself, and I don't ever want to not be.
My father was an engineer, .. But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.
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