A Quote by Chris Rock
Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.
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There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
There's not a lot of comics with anything to say. It's entertaining, but when you think of Chris Rock, Richard Pryor or Bill Cosby, they all had something to say.
It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
In comics, we're all weird together. I can go to a comics convention and not stand out, even though I'm the only woman in a headscarf there, because the guy next to me has a beard and a Sailor Moon costume.
I was scared to death because for the comics of my generation, HBO specials are like the pinnacle. I'm thinking of all these unbelievable comedians I've seen on HBO: Chris Rock, George Carlin, Damon Wayans, Richard Pryor and Billy Crystal. I started having a panic attack seeing my name in that list of people. It was pretty overwhelming.
Tintin comics evoke Bermuda, where my parents doled out comics for good behavior and my grandmother taught me how to shuffle cards.
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
Good comics stick around. There are people who have TV shows that might be successful, but comics can't really fake it. If you say, 'Hey, I love what you guys are doing - you're funny,' then you're in. It's legit.
Before I even knew what stand up was, I tried to make people laugh at school because that was how I made friends, so I think that's how I got drawn into comedy and obviously I was just some kid at school being silly, so the first time I saw a professional comedian and how smooth and funny the person was I totally got into standup and I would say obviously Richard Pryor was the guy. He's the greatest of all time and then George Carlin, Sam Kinison, Bill Cosby. It's so weird to bring up his name now but leaving out his off-stage antics... you could learn a lot from him.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
You have to show up at 7 in the morning and be on like it's 9 at night. It's a skill. Some comics run from it, and they hate doing it, but the comics that are pros understand how important it is, and they get good at it.
When I speak of diversity, I don't mean replacement of white comics. I don't mean acceptance by white comics. We comics who weren't born into the white guy paradigm of 'funny' don't need a handout. We don't need a PC push. We don't need 'a look.'
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
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