A Quote by Chris Rock
I have no idea what my best material is. Different people like different things. I'll say this: The political stuff gets the press, but the relationship jokes sell all the seats.
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I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
You have a different relationship to your own personal material than you do to other people's. When you go to the bathroom, you're not horrified and shocked. But if you walked in and found someone one else had just been, you probably would be. Your own relationship to these things is slightly different.
I like going to Japan where they treat it like a real sport. I like doing the entertainment stuff with the WWE. I really like doing the small venue stuff, like Ring of Honor, because everything is so intimate. There's different feelings and different experiences, and you have to be good at different things to do all of that.
When you travel like I do, just within our own country the atmosphere is different. The environment is different; the way people talk is different. The energy is different. And that's just material-wise, with the local culture.
There are different pastors that are good at different things, but one of the things I love is everything I do as a pastor is centered around helping people to understand what God has said in his word, so I don't have to come up with a bunch of new stuff to say.
I get attracted to different things. I have a different take on everything. I like to do different things. I don't like the regular stuff.
People go through different stages of their lives at different times. If you're out of sync with your friend group, that gets exploded once everyone starts having kids because they just have to deal with different stuff that you don't really relate to.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
For 'Gender Studies,' I wrote that story in May and June of 2016. People have said to me, 'Oh, it's a political allegory,' and I think, 'Sure.' The political stuff is definitely there. But that's why I like fiction; there can be lots of different things going on, and it's all intertwined, and you can't separate out what's in what category.
In my platoon, we came from different parts of the country, with different backgrounds, different religious beliefs, different political beliefs—and yet we all put those differences aside. Fundamentally, I believe that’s what the American people expect of Congress as well. We all ought to be able to come together in Washington and do what’s best for our America.
I feel like you have to be so precise in what you are going to say, or you can be hammered if you say it the wrong way. That part makes feel bummed out because sometimes these things can take a while to figure out. Different people formulate things in different ways and have different processes. I feel like let's just take a deep breath and not be so perfectionistic about it all.
Jokes are great capsules of information. I think they should never be censored. They often are offensive - and we're offended by different things - but I believe deeply in what Freud wrote of their relationship to the unconscious, which is that jokes come to help us. We laugh so as to dispense with, or to express, some ambivalence or discomfort with the things around us. That's what laughing is: a release.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
Emo means different things to different people. Actually, that's a massive understatement. Emo seems solely to mean different things to different people—Like pig latin or books by Thomas Pynchon, confusion is one of its hallmark traits.
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