A Quote by Chris Sacca
When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.
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I was a pretty disruptive student in class in school. I had a hard time paying attention. I had what they call A.D.D. now, back then I was just a hyper kid.
For me, I always go back to when I was 10 years old and, I think between the time I was 10 and going to high school, were some of the greatest moments for me, because I had a group of friends that I was inseparable with, who we would make movies with all the time.
Usually during the regular season, if you're starting pitcher, you're kind of walking back and forth from the clubhouse to the dugout and not really paying attention to what's going on.
At 15 we were going back and forth to Nashville every weekend while we were still going to school.
There was a recording studio in my school, and I knew this kid who had a key, so I'd write lyrics in school while I was in class, and then, in a 10-minute break, I recorded the song 'Hurt' in one go at the school studio.
I was quite naughty at school. I was always in the back of the class messing about with the Bunsen burner rather than paying attention.
I didn't want to look back in 10 or 20 years and say, 'Yes, I always wanted to write that piano sonata or that novel, but I never had time.'
When you're on a movie and the production department says, "We need old photographs of you - your character - when you were 20-years-old." I usually tell them it's in storage or I had a fire. I go back to these old photos and there's never a good photo or they're of times that I'm so glad I'm out of. They have nothing to do with the character that you're playing, so it feels false. That's one of the hardest things for me in terms of looking back.
For 10 years while I was at ESPN, I lived at the Residence Inn in Southington, Connecticut, near Bristol. I did that because my wife had a great job in New York City, and we had a place in New York City, at 54th and 8th. On Friday, I would come back, and then on Sunday evening I would go back to the Residence Inn.
Sometimes we look back and 10 years from now we think, 'Boy, those were great old days.' Well, you know, we're living in the good old days.
It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.
I think you have to keep going. Otherwise, you know these fellas that say, "Boy I can't wait to retire. Boy, I'm going to be 65 years old, and I'm retiring and I'm quitting and that's it." Well, two weeks later they're saying to themselves, "What the hell am I gonna do?" And first thing you know they find themselves in a wheelchair or in a rocking chair going back and forth, back and forth, and that's the end of it. And suddenly you're dead.
It was in the '80s, so I guess big hair and high bangs. And I had so many gummy bracelets! While we were doing 'Full House,' we were like, 'You know, in 10 years, we're going to look back on this and think this is horrible.' But everyone looked like that!
Well, there's one guy, when he runs the ball his head's really, really still - doesn't move whatsoever but then when it's a pass he's always, like how he's looking is like his head is almost going back and forth and back and forth because he needs to know who to block.
I started playing football in a school back in Sao Vicente when I was five years old, going towards six. Those were my first steps, among those kids, and then I kept going.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
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