A Quote by Chris Stapleton
The show isn't about screens, and we don't have any video content or lasers or things blowing up. I want people to come to our show to listen. I want the show to be the music.
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In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.
The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.
I do think image is important in a band, because when I go see a show, I want to see a show; I don't want to just listen to the music.
It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
I mean, I want my live show to be like a Marilyn Manson show, where it's gruesome and dark, but I want the music to be straight-up pop.
I don't think you should feel too pressured about a mixtape. Just do what you want to do and show the music you want to show. You're not trying to win something big with it.
I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.
If you're a host of a video show and you're on the cleanest show on television for eight years, people want to say, 'Well, that's what that person does.' That was the dilemma for me, career-wise.
The biggest compliments I've heard about 'That Metal Show' are the ones from people that say that they don't even listen to this kind of music, but, 'We love watching the show.'
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
If people sneak into my show, that's a sign of a good show, you know? If people want to risk getting in trouble with the law to come see you play music, that's a sign you're doing something right.
We're nondenominational. I come from Northern Ireland, and we've had religious wars for years. I didn't want to create an illusion that my God is better than your God. So our show is a spiritual show, not a religious show.
When I'm not doing the show, and the work has stopped, I walk into a restaurant and I'm shy; yet, when I'm in the show, when people come up with their phones and want to take my picture, I can handle it because it's almost like I'm wearing an armour.
Right now the producers of 'Modern Family' have no idea how many people watch our show each week on all platforms, and nobody seems to want to tell us. If a disproportionate number of any show's viewers watch in alternative ways, then, under the current system, that show may not appear to be as strong as it actually is.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
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