A Quote by Chris Stapleton
If there's one kind of music that makes somebody happy, how is that a bad thing? And if there's another kind that makes somebody else happy, how is that a bad thing? I don't get why anybody cares about what they don't like so much.
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I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
When I do something I have to do it all the way - that goes for music, with a high-hat, a snare drum, a rhyme, everything. I have to push it to the extreme. That's how I realized I have addictive behavior. Somebody told me this once, that the thing that makes me bad is the same thing that makes me good at other things.
One of the things that surprised me the most is how often we assume that because something's fun for someone else, it makes somebody else happy, it will make us happy.
I think I have to work to write a happy song. I write them carefully; they're simple and they're about when it's fun to walk down the street. You know? Because that's the best thing about when you're happy. It's just one little thing that makes you happy, and you're making friends. The kind of thing I can do is capture this moment.
I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.
I'm not sure anything makes you an outright good person or bad person - that we're all capable of doing good or bad things. And if you want to know how much good you can do, and how much hurt you can do, just ask somebody you love.
The most important thing regardless of my stats or anybody else's stats is the win-loss record. In the locker room people are always telling me, you're doing this and that. I don't really pay that much attention so long as we have a 'W' in that column; that's the kind of thing that makes me really happy. It blows all stats out of the water.
If it makes you happy
It can't be that bad
If it makes you happy
Then why the hell are you so sad
The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.
I'm doing my best to be mindful about how I'm living: to be kind and patient, and not to impose a bad mood on somebody else. Being mindful is as good a way to be spiritual as anything else.
Like some kind of strange vacuum cleaner I tried to console him. I recited the same old litanies that you say to people when you try to help their broken hearts, but words can't help at all. It's just the sound of another human voice that makes the only difference. There's nothing you're ever going to say that's going to make anybody happy when they're feeling shitty about losing somebody that they love.
Success is being artistically fulfilled and happy. You can't control how people see your movie or how much money it makes...and the same thing with music. When I'm writing a song or I'm in the studio, those memories, that's epic.
The love is so powerful that both people have to surrender. I think that's the funny thing about dating somebody for the first time, it's kind of a question of who wears the pants, or who's gonna text you first, how much am I supposed to put myself out there, and it makes you feel a little bit crazy. But at the end of the day, it's not about that. And if it's the right person you don't have to worry about that.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
If you would be happy, render a kind service, make somebody else happy.
I can spend somebody else's money on somebody else. And if I spend somebody else's money on somebody else, I'm not concerned about how much it is, and I'm not concerned about what I get. And that's government. And that's close to 40 percent of our national income.
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