A Quote by Chris Sullivan

I try to make sure the projects that I choose are something that will teach me something new, either about myself or about my art. — © Chris Sullivan
I try to make sure the projects that I choose are something that will teach me something new, either about myself or about my art.
Try something new when you feel great about yourself! Try something new because you have been dying to try it, thinking about it for weeks, and have had multiple discussions about it. Do not make brash decisions because you feel ugly and think this will be the answer.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
In general I like a guy who is athletic, somebody who can teach me something. Whether it's teaching me a new way to cut on a wave or teach me a three-point conversion or teach me how to dribble a soccer ball. There's something really cool about that.
Art brings a message into a room. It should make us perceive in a new way - either through color, form or narrative content - something we had not perceived before... and perhaps reveal something to you about yourself.
It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.
When someone asks me to do something, something new, something I don’t know about, and if I haven’t done it, I’ll say yes. Just so I can try something new. You never know what you might like.
Nobody in the scientific or medical world thinks that homosexuality is something that people choose. It's something we are. Now, I didn't choose to be heterosexual. I just woke up when I was about twelve years old and girls didn't look obnoxious to me any longer, but I didn't make a choice about the matter. I just responded to my own hormones.
Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
I don't think it's about art being a career but it's about making sure that if art is something that you love, something that brings you joy, it's about you having a duty to find time in your life for that thing that brings you joy...even if it can only be a small amount.
When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.
I basically have two ways I start writing. Either I'll start with something about myself, or something that happened to me that seemed important, or I'll start with some idea I have that doesn't have much to do with me. But one will always lead to the other.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
I want to create work that extends beyond myself because I always thought it was a way to change the general rules about art, and also to give an impulse to something else. It's a transformation about attitude. Most of the time, when someone buys the object, it's 100 percent transferred to them. I don't think this is true. Something exists within the object that can never be appropriated. This little part, I try to make it visible.
I just like to choose projects that will allow me as an artist to make my art.
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