A Quote by Chris Sullivan
I think in telling a good story there has to be ups and downs with any character, and you can't just have everything go swimmingly and you can't just have characters who are supposed to be in a romantic relationship just getting into an argument every episode.
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I think every relationship has its ups and downs. I think that's a part of whether you're married or whether you're in friendship or in business, right? They all have their ups and downs, and I think it's just a normal part of life.
Every relationship has their ups and downs, and, you know, when you start having more downs than ups, you know, you gotta take a look at your relationship and be like, you know, 'Is this something that I'm supposed to be doing?'
There's something peculiar about artists. They have ups and downs... After a while everything you do is just wonderful... then you slide back. If you're a good artist you're going to go down. And then it's up to you.
There’s always going to be ups and downs in life and it doesn’t mean you shouldn’t feel the pain. Pain is good. It makes you stronger in time. You will realize how great the ‘great’ really is. Life is about ups and downs. You just have to be able to ride the waves.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
It's the fun part 'cause you don't have any of the real heavy-lifting to do. You just come in and shout and chew scenery, and just be awful and say a few jokes, and you don't have to carry the romantic storyline or the quest part of the story. You just pop up, every now and again.
People have asked if I would go back to my 20s, and I'm like, "Only if I could hold onto the wisdom and the things that I've learned." But in reality, I don't think I'd want to even go back then. I'm so happy with where I'm at. My life is very content. Everything feels really good. I wouldn't want to change any of that. I'm happy for all the ups and the downs, and everything that has led me to where I am. I wouldn't want to lose any of that.
Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
I think all writers are always collecting characters as we go along. Not just characters of course, we're collecting EVERYTHING. Bits and pieces of story. An interesting dynamic between people. A theme. A great character back story. A cool occupation. The look of someone's eyes. A burning ambition. Hundreds of thousands of bits of flotsam and jetsam that we stick in the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer's shop.
I'm just trying to write a good story, strictly from imagination. People just think it's random, they don't see the rewriting, phrasing of characters, choosing the words, bringing the world to light in which the characters live in. That creates an illusion that this is real.
I think what 'Shameless' does well is highlight real relationships. And in any real relationship, there are ups and downs and elements that change the dynamics of the relationship.
I didn't have many ups and downs, and I just tried to par every hole.
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