A Quote by Chris Sullivan
There is a lot of things to be outraged about these days, and I think that getting outraged about an actor on a television show who may be wearing a costume that makes him larger than he is, might be low on the list.
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The funny thing about war is that people feel you need to be morally outraged. I feel morally outraged about it, and I've been doing it for long enough to feel morally outraged, because I have been in massacre scenes in West Africa, and I've been doing this for a long time now.
We are not outraged by blood. We see blood all the time. Blood is pervasive in movies, television, and video games. Yet, we are outraged by the fact that one openly discusses bleeding from an area that we try to claim ownership over.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
Being outraged about two men or two women, it requires absolutely no work on the ground. So you can be outraged and you can be an armchair activist, engage in nothing and just simply get on the microphone and say, "I don't believe in X, Y, and Z, and it's terrible," and you can call them names.
It seems that people are more comfortable with the private outrage about gay marriage, because when you are outraged about this issue, it requires no work. There's no work that you have to do when you're outraged about a gay couple. There is work that you have to do if you want to see black fathers raise their children. There is work that you have to do if you want to see a school develop.
The problem with venality in business is that getting outraged about it makes it easy to miss the systemic problems that venality often disguises.
Many actors have protested about mobile phones going off in theatres, but the real menace now is people texting during a show. It may only disturb a few people around them, but for me, as an actor, when I spot them answering their emails, I am outraged.
They appear to have become so attached to their outrage that they are even more outraged that they won't be able to be outraged anymore.
I'm outraged that we're building roads, schools, and hospitals in Iraq and Afghanistan, and that we're doing it with borrowed money from China that we're paying interest on. I'm outraged.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
When I pick a story, I'm very much aware of the larger issues that it's illuminating. But one of the things that I, as a writer, feel strongly about is that nobody is representative. That's just narrative nonsense. People may be part of a larger story or structure or institution, but they're still people. Making them representative loses sight of that. Which is why a lot of writing about low-income people makes them into saints, perfect in their suffering.
People want to engage you by being outraged or faux-outraged at things you're saying, but if you confront them and defend yourself, then people don't like it. But then if you don't and you stay quiet, people don't like that either.
I try to be outraged by things that other people are just very accepting of, as though they're normal and can't be changed. A lot of what I write about is, "Hey, you know, this stuff is really awful, and it doesn't need to be, and that's why it's so offensive." Things should be better.
I try to be outraged by things that other people are just very accepting of, as though they're normal and can't be changed. A lot of what I write about is, 'Hey, you know, this stuff is really awful, and it doesn't need to be, and that's why it's so offensive.' Things should be better.
If a company has acted badly, people want to punish it - not in order to deter future misconduct, but simply because they're outraged. And the more outraged they are, the more punishment they want to inflict.
We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.
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