A Quote by Chris Thile

I think people react so strongly to hearing the human voice, you can't give them too much of it or else they want it all the time. — © Chris Thile
I think people react so strongly to hearing the human voice, you can't give them too much of it or else they want it all the time.
Not only does the modern person often think that sight is more important than sound - there's no objective evidence to indicate that. Many people, even audiologists who study the science of human speech and hearing, have assumed for a long time that the human ear evolved to hear the human voice, rather than the voice changing to fit the human ear. And the human ear is actually not a perfect match if we map its sensitivity to the different frequencies in the human range of hearing; it's an unequal curve, it's kind of a wavy line.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
In the course of interviewing, I've discovered that if you don't give your guest something to react to, they don't react. They simply say what they've been saying every time they've been interviewed. The last thing you want is to have people say to you what they've said to someone else.
I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.
I think the problem for the future generations is a lot of people ain't takin' the time to look for them and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
I wouldn't express myself as shy. I have to be in my comfort zone, like everybody else. You have to take time to feel people out. You can't give them too much at once.
I think the sense of fairness in humans is very strongly developed, and that's why we react so strongly to all the bonuses received by Wall Street executives. We want to know why they deserve these benefits.
I think people have had too much to think and ought to flex their magic muscles. It takes awhile to get oriented to what I do, but people seem to be able to hear it if they give it a chance. I'd never just want to do what everybody else did. I'd be contributing to the sameness of everything.
I never look at the internet because then you just have nothing else to do but just look. Most generally, and even myself as a consumer, you think you know what you want. But what's more interesting is figuring out what you don't want. I think the only way that I can do that is just to do what I think is right. That is the only real gesture of respect. Then people can react to the movie how they want to react.
I think it's interesting that a lot of times people want celebrities to give back in the way that they want them to give back. They want them to give money to the cause they think is important and when that doesn't happen they say, "Oh, they're not doing anything." People think celebrities are going to solve their problems. People think because someone is famous or an athlete or a politician that the solution begins with them. All they're there to do is sell you a product.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
In America, interracial dating or marriage is not something that is as accepted. Certain people feel strongly against it, in both communities. I felt it from the black community. It is so complicated. I don't want to give it too much energy.
I think the problem for the future generations is a lot of people ain't takin' the time to look for galvanizing artists and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
Our borders are much too porous...We want to keep them open, but we also have to be much more careful. ...Right now, if you get on an airplane [to the U.S.] and claim asylum...when you arrive at Kennedy Airport in New York, they will say to you, 'OK, we'll give you a hearing on whether you deserve asylum. Show up in a year.' And two-thirds of the people never show up.
When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.
I don't want people to expect too much out of me. I can only give them as much as I can.
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