A Quote by Chris Thile
My thesis statement would be—Bach didn't write Baroque music. He wrote great music.
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Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
Has it struck you that the music which is regarded as the most sublime in western civilization, which is the music of Bach, is called baroque?
If you have a piece by Bach, he often develops the piece to such a high level that you can hardly do much more to it. But Saint-Luc wrote very simple baroque music, and so if you do not embellish it, it just falls apart. It's way too simple.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
I think in Baroque music, especially in the case of Bach, what really transformed Bach's musical language, what changed it for him was hearing Vivaldi, hearing the sort of manipulation of small cells of information and patterns in order to generate sort of huge blocks of harmony.
I'm involved with a baroque opera company here in Italy. I write some of their booklet material, comments on operas. I also write for some baroque opera festivals because this music is my real passion.
I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.
I think J.S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets, but also as good as it gets, period -- as good as existence, reality, life and the world.
I think J. S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets but also as good as it gets, period - as good as existence, reality, life, and the world.
The music of Bach is so timeless, so fulfilling. You don't feel like you have to be in front of it. The music has everything, and you are there to find the balance when you conduct. You don't have to give too much of your individuality. It's Bach, so it's dangerous to get in the way.
A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.
Once I understood Bach's music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I went out and started on my way up in television. I wrote music, I wrote books, I played an instrument half-ass. I would always have liked to play in a band. I would always have liked to be a substantial writer, to write country music for big singers. I had all sorts of proclivities, but I never had any big success.
I would say my relationships have always affected my music. Each one. I wrote most of my great songs, that I'm still using today, in 2008 when I had the worst heartbreak of my life with my first girlfriend. It inspired great music.
There are so many great artists out there; it's hard to choose one. But, I would love to work with Ledisi; she has a great voice. I also admire and respect John Legend. When he wrote "All of Me," I fell in love with the melody and music. He is an artist that really loves music and just has a great way with words.
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