A Quote by Chris Thile
Growing up in a bluegrass or acoustic-oriented world, the musicians become so focused on performance, as far as playing. We tend to overanalyze the notes, so you're always trying to sharpen everything up.
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I'm very proud of all the bluegrass-oriented albums. It just reminded me and my fans that I should always record acoustic music and country records, along with anything else that I might want to do.
I knew I loved playing bluegrass, so I'd end up down there on Sunday nights at the bluegrass jam.
If you grow up playing in church, it removes a lot of the boundaries that other musicians might have, growing up with sheet music or whatever.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.
Everything I was afraid of when I was growing up, I've become. I've taken on my nightmares, like the devil and the end of the world, and I've become those things.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
When I was growing up in Ossining, N.Y., playing pool with the guys, the thought that any one of us might become an actor was as far-fetched as being knighted by the queen of England.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
Growing up, even finding all those notes that you write in first grade to your future self of like what you want to be when you grow up - it was always music.
I can safely say that I had an incredibly difficult and trying past growing up and trying to be an artist and standing up as who I am in this world.
I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there are so many things that one can do, at least according to what we know about performance practice.
I think whenever you're around Kanye, you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
I think whenever you're around Kanye [West], you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.
I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
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