A Quote by Chris Thile

My folks were and are devoted public radio fans, who started listening to 'A Prairie Home Companion' in the 1980s; Garrison and Co. were the permanent headliners of their weekends.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I thought A Prairie Home Companion would be an interesting thing to do for a summer or so. Public radio was just seven years old in 1974. It was a tiny organization in which a lot of things got started simply because there was all this time to fill. If you wanted to do an hour on Lithuanian folk dancing, you probably could have done it.
The thought of people in this day and age sitting down to listen to a radio variety show on Saturday evening is rather implausible and was even more so in 1974 when we started “A Prairie Home Companion.” Thank goodness Minnesota Public Radio was too poor to afford good advice or the show never would've got on the air. We only did it because we knew it would be fun to do. It was a dumb idea. I wish I knew how to be that dumb again.
'The Sandberg Game' comes up all the time. Fans tell me where they were. They were driving down the highway, they were in the bleachers, they were downtown listening on the radio, they were on the farm on a tractor. I've heard all the stories where people have been. They're just amazed by the ending of the game and the thrill of it.
I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.
My parents were ambitious people, my father especially, whose entire life was devoted to rising above, but his ambitions were defeated long before death finished them off, and so when he died, he came back to where he started, but he didn't come back home, because there was no home to come back to.
I was born and raised in the Bronx and my grandfather and my brother Garry were huge Yankees fans. One of my first memories is of them listening to a game on the radio and screaming at the radio. My brother would cry when they lost, and when I was really little, I didn't know why he was crying.
In 2010 there were a lot of folks who were still out of work. There were a lot of folks who had lost their homes or saw their home values plummet, their 401k's plummet.
When The Byrds started country-rock, we had no idea there would be such a thing. We were just trying to honor the music. We started listening to country radio. We went to Nudie's and got cowboy clothes.
When I was a kid, I used to sneak down the stairs when my folks were listening to 'The Witch's Tale' and 'Inner Sanctum' on the radio. I went to see 'Frankenstein' in the movie theater and got the pants scared off of me.
I'd venture a bet that no American hates 'Prairie Home Companion' more than I do.
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
When I first started writing the books in the 1980s, all of the female detectives were flawed in some way because they were based on noir characters.
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
Our parents were very strict. Not in a brutal or awful way, but there were definite rules, such as after six on a school night you didn't go out, and at weekends you had to be home by a certain time. It wasn't particularly sheltered, but we were well brought-up.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
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