A Quote by Chris Thile
Music should never be a dictatorship. It should be a symbiotic relationship between the musician and the audience.
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To me, art is the capacity to experience one's innocence: craft is how you get to that point. Maturity in a musician would be the point at which one is innocent at will. At that point the relationship between music and the musician is direct and reliable.
The relationship with music is always mysterious: when it works, you can never tell. You can never guarantee when it's going to work. You can only to put yourself in a place where it's more likely to happen.
If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship.
Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
There's going to be a symbiotic relationship between the edge and the cloud.
The relationship between officers and men should in no sense be that of superior and inferior, nor that of master and servant, but rather that of teacher and scholar. In fact, it should partake of the nature of the relationship between father and son, to the extent that officers, especially commanding officers, are responsible for the physical, mental, and moral welfare, as well as the discipline and military training of the young men under their command.
My relationship with Modiji is exactly how the relationship between a Prime Minister and party president should be. It is a clean, healthy relationship.
I don't think anywhere is there a symbiotic relationship between caddie and player like there is in golf.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
We have an incredible audience. I'm as proud of how Fairport relates to its audience as I am of any music we have produced. I think we're a real people's band. Massive popular success has never bothered Fairport. We've never been put in the position of being celebrities. A Fairport concert is like a meeting of friends. There's no big, security wall around us. It's kind of how music should be.
The children should never be excluded from what I am doing and should never have the feeling of being part of an audience.
Any relationship should have love, and if there is no love, it is better to call off a relationship. People say that love happens only once, but I don't believe in it because for me, if one relationship doesn't work, you should move on and seek love in another relationship. Who knows; you might find love in the second relationship.
I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.
The Internet now provides an immediate and very clear consensus of what it is that the audience is experiencing. It's something that you should never let lead you, and yet at the same time, you should never ignore it.
We should never overestimate an audience's culture, but we should never underestimate their intelligence.
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
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