A Quote by Chris Thile

Presenting the American songbook as a living, breathing entity that's expanding all the time is very important. — © Chris Thile
Presenting the American songbook as a living, breathing entity that's expanding all the time is very important.
I've always loved Elton John and that is one of my favorite songs by him and Bernie (Taupin). The American songbook is ever-expanding and I feel like it works well with what I was trying to say.
I think something that's very important for us to communicate is usually very simple. Like breathing: Breathing is very simple. You don't do a dissonant 9th harmony or something in breathing. You just breathe, you know. I think that's how it is with very important messages.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
The Earth is a living, breathing entity. Without ongoing care and nurturing, there will be consequences too big to ignore.
Living entity is food for another living entity, it does not mean that I shall eat my children also. There is discretion.
The American woman's concept of marriage is a clearly etched picture of something uninflated on the floor. A sleeping-bag withoutair, a beanbag without beans, a padded bra without pads. To work on it, you start pumping--what the magazines call "breathing life into your marriage." Do enough of this and the marriage becomes a kind of Banquo's ghost, a quasi-living entity.
With dancing, so much is about sexuality and sensuality and without life experience it becomes much more of a performance, rather than a living, breathing entity from the soul.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
I've always been crazy for the American songbook.
The earth itself assures us it is a living entity. Deep below surface one can hear its slow pulse, feel its vibrant rhythm. The great breathing mountains expand and contract. The vast sage desert undulates with almost imperceptible tides like the oceans. From the very beginning, throughout all its cataclysmic upthrusts and deep sea submergences, the planet Earth seems to have maintained an ordered rhythm.
When you are presenting yourself, confidence is very important.
Soil is a resource, a living, breathing entity that, if treated properly, will maintain itself. It's our lifeline for survival. When it has finally been depleted, the human population will disappear. . . . Project you imagination into the soil below you next time you go into the garden. Think with compassion of the life that exists there. Think, the drama, the sexuality, the harvesting, the work that carries on ceaselessly. Think about the meaning of being a steward for the earth.
Time and space recede and blast away like a universe expanding forever outward, and leaving only darkness and the two of us on its periphery, darkness and breathing and touch.
My style of music is the great American songbook meets the pop world of the Seventies and Eighties.
Breathing in, breathing out, ain't that what it's all about. Living life crazy loud, like I have the right to.
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