A Quote by Chris Thile

I just love getting as many experiences making music for and with people as possible. — © Chris Thile
I just love getting as many experiences making music for and with people as possible.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
Obviously when you're making music, you want it to get out to as many people as possible. You want to reach as many people as you can.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
As far as I'm concerned, the whole point of making music is to get it heard by as many people as possible.
I think of myself more as an actress. I do my music because I'm very passionate about my music. I love making music. I love inspiring people. I love making great songs that are just really fun. But that's all it usually is for me. I love touring and singing great songs. I don't think I'll ever win a Grammy one day, and I'm totally fine with that. I do work really hard when it comes to acting and I want to do that for a long time.
It's weird because music is this thing that you love doing, and it comes completely from a place of creativity, and then that transfers into having to manage a business and make decisions and figure out what is the best route to go in terms of getting your product to as many people as possible.
I'm uncomfortable with being famous. I hate it. But I love making music. I love getting paid to do it, and I love getting on my boat after I get paid to do it.
Everybody does music from his culture and his experiences with his culture. There are not so many people who are interested by the music coming from different countries and different cultures and trying to make music from that, from all these experiences.
I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
I`m down to Earth, a lover of music, making music and making love. I love to make people happy and I think I`m basically a good person … despite what you might read about me.
I like the idea of getting to dress up, like to do a Barry Lyndon or something about the Napoleonic period, the grand army retreating from Moscow. I understand that there's a craft to acting and a lot of people work hard at it. I just know that music is my first love. I love music, I love film, and I love clothes.
There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.
I love making music, but I also love making music that's on the radio. In some circles, that is considered less artistic. And I've always tried to resist those people that say the two can't exist at the same time.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
I just love making music. I always stay in the studio. Making music is my main focus.
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