A Quote by Chris Van Allsburg

I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material. — © Chris Van Allsburg
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.
Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.
I thought a book on miracles might be a great idea, but just because it's a great idea doesn't mean I'm supposed to do it. But my editor persisted, and eventually I thought, 'He's right. I should write this book.'
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
Who thought it would be a good idea to undermine art in the school curriculum? Who thought studying the history of our visual culture was a waste of time? Who thought that only private schools should have that privilege? Was it someone who said we don't need experts?
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
I have always thought that the photographer does artistic work and that art consists of working with fictional premises.
I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.
I wanted to be of service to the Peace League, and how could I better do so than by trying to write a book which should propagate its ideas? And I could do it most effectively, I thought, in the form of a story.
Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or ‘dematerialized’
You are always working on your worst book and your best book at the same time. The praise does not make you write better, and it shouldn't make you write worse, either.
I felt, "Oh, film is a great art because I can pull in music and visual imagery, and it has its literary aspects and drama." Film was a sort of Wagnerian synthesis of the arts, as opposed to opera, which Wagner had thought would be. That's another art form that has seen its best days.
Movie, being an art form, should have artistic value and should do justice to the artistes.
Every man is in his own person the whole human race without a detail lacking....I knew I should not find in any philosophy a single thought which had not passed through my own head, nor a single thought which had not passed through the heads of millions and millions of men before I was born.
The story, I like to say and remember, is always smarter than you—there will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.
This site uses cookies to ensure you get the best experience. More info...
Got it!