A Quote by Chris Van Allsburg

I was about 28-29 when I wrote my first story, and that was called 'The Garden of Abdul Gasazi.' — © Chris Van Allsburg
I was about 28-29 when I wrote my first story, and that was called 'The Garden of Abdul Gasazi.'
I was, like, 28 or 29 when I finally was on camera for the first time.
The first time that I saw people actually make the thing that I wrote was my first episode of 'Six Feet Under.' It was called 'Back To The Garden.'
Counting the ones I've co-edited, I guess about 28 or 29 [books I've written].
Professionally, my first book came out at the age of 29, where I wrote about my experiences of backpacking in U.S. on a frugal budget.
The first story I wrote was called 'Days,' and I have very little affection for it.
Sometimes he used a spade in his garden, and sometimes he read and wrote. He had but one name for these two kinds of labor; he called them gardening. ‘The Spirit is a garden,’ said he
When I was a student at Cambridge I remember an anthropology professor holding up a picture of a bone with 28 incisions carved in it. "This is often considered to be man's first attempt at a calendar" she explained. She paused as we dutifully wrote this down. 'My question to you is this - what man needs to mark 28 days? I would suggest to you that this is woman's first attempt at a calendar. It was a moment that changed my life. In that second I stopped to question almost everything I had been taught about the past. How often had I overlooked women's contributions?
I was 29 when I wrote my first novel. But I was 45 when I quit for good. I was a 16-year overnight success.
My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
In 1971, when I was 29, I wrote my first volume of poetry. I am a poet, and I have published four books of my poems.
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
With my two brothers, Jean-Marie and Joel, I wrote a two-page story and wanted to make some kind of movie. We met a French production company, called Why Not?, and the first name we put on the list was Ken Loach. It was a dream for all of us. So, we tried and we met Ken and Paul Laverty, his writer, and they read the two pages and were inspired by that to do something. Paul had the freedom to do his own story - and he wrote his own story, which is better than the one we'd written.
People called '28 Days' and '28 Weeks' zombie movies, and they're not! It's some sort of virus; they're not dead.
People called 28 Days and 28 Weeks zombie movies, and they're not! It's some sort of virus; they're not dead.
To a point, family does that and a couple of life experiences both positive and negative that have definitely altered my perception on rugby. Whereas my first 28-29 years, rugby was the entire focus, which was not that healthy, now you realise what is really important.
It's a different story because guess what, the kid is only 28 years old, 28. He's not his dad, not his grandpa. He's 28 years old.
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