A Quote by Chris Van Allsburg
There was a great deal of peer recognition to be gained in elementary school by being able to draw well. One girl could draw horses so well, she was looked upon as a kind of sorceress.
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I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
Being able to draw means being able to put things in believable space. People who don't draw very well can't do that.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
If cattle and horses, or lions, had hands, or were able to draw with their feet and produce the works which men do, horses would draw the forms of gods like horses, and cattle like cattle, and they would make the gods' bodies the same shape as their own.
Ethiopians imagine their gods as black and snub-nosed; Thracians blue-eyed and red-haired. But if horses or lions had hands, or could draw and fashion works as men do, horses would draw the gods shaped like horses and lions like lions, making the gods resemble themselves.
I'm an artist and I can draw very well. I'm amazed that everybody can't draw well because I can do it so effortlessly.
Observe Everything. Communicate Well. Draw, Draw, Draw.
The Ethiops say that their gods are flat-nosed and black,
While the Thracians say that theirs have blue eyes and red hair.
“If oxen and horses and lions had hands and were able to draw with their hands and do the same things as men, horses would draw the shapes of gods to look like horses and oxen would draw them to look like oxen, and each would make the gods' bodies have the same shape as they themselves had.
But if cattle and horses or lions had hands, or were able to draw with their hands and do the work that men can do, horses would draw the forms of the gods like horses, and cattle like cattle, and they would make their bodies such as they each had themselves.
If cows and horses had hands and could draw, cows would draw gods that look like cows and horses would draw gods that look like horses.
The mere wit is only a human bauble. He is to life what bells are to horses-not expected to draw the load, but only to jingle while the horses draw.
It's great to be able to write songs and draw on life, to write truthfully, and to be able to do that, it's good to be exploring other stuff as well.
There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.
I'm pretty strict with anyone on our crew when people start to draw too well or draw some in-betweens in the animation.
Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there."
In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well stocked fish pond... If we don't give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked... As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them - to re-stock the trout pond, so to speak.
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