A Quote by Chris Ware
When I was 11 years old, I thought, 'All I really wanna be able to do is my own comic book,' and I'm doing it. I don't have any other real ambitions. I have nothing to conquer at all.
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My grandfather bought me my first Marvel comic book when I was six years old, and since then, it has been an ongoing love. It was an 'X-Men' comic book.
I was doing my own shows when I was 11 years old.
I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.
To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally consistent. In terms of a comic book it can work just fine.
I'm always gonna do my own thing. I wanna be something - whether I'm 19 years old working at a pet store, or I'm 19 years old with a No. 1 record - I wanna be the biggest I can be to my crowd, no matter what my crowd is.
If you're 25 years old dressed up like Superman at a comic book convention, that's great. If you're 78 and you're doing it, something's wrong.
"Comic book" has come to mean a specific genre, not a story form, in people's minds. So someone will call Die Hard "a comic-book movie," when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
Being a hardcore old-school comic book lover, it took me a while to accept the need for comic book movies.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
I thought I had a great opportunity when I started doing my comic book in 1972. I thought there was so much territory to work in.
It don't matter if you put 'The Dance' out, or any old George Strait song. Someone is going to think that it's awful. You gotta be able to just sit back and kind of laugh it off and know you're doing exactly what you wanna do, and if people don't like it, then it's not really my place to tell them they have to like it.
No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.
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