A Quote by Chris Wood

I've done many body scans. Every time your character fights in a different look, they'll rescan you. Because my character has taken so long to get a super suit, every time Mon-El fights, he's in something different.
Every character is so different, if you put the photos next to each other, you see how different I looked and how different I tried to be. And that's what I really enjoyed, that I could really be a different character every time.
If you look back at my fights, if you pick three or four fights in a row, it's possible if you watch my style I'm fighting a different type of style every single fight.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
The (Sir Arthur Conan Doyle) stories were great, for one. The thing that makes him a remarkable character is how he can withstand all of these different interpretations and different styles and, that's what makes a classic character a classic character; they keep coming back and you see them in a new way every time.
Sequels are generally done in a rush. They're done with a sense of urgency. The first time, you spend a long time developing to get it over the line. The second time, you don't. Your expectations are different, and your motivations are different.
I see all my hard fights as title fights. Every time I go in there, I'm fighting for my life.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
I don't watch every fight; I am not huge on watching fights on TV. Because I did it my whole life. But I do watch the big fights. I follow the little fights too, sometimes; I just don't have to watch every single fight that happens.
What happened to the men's boxing is happening to the women's boxing, but not all the time. Every now and then, you get some really great fights. It's a money thing and how many people are going to buy that pay-per-view for the fights. The UFC is eventually going to go that way.
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the screenplay. I look at the arcs of the scenes and characters and relationships.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I like diversity; I want one character to be very different from the next. I love to live with a character for a long time if I can, but I like one character to be different from the next.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I think television is really incredible because of the fact that you get to sit with a character for so, and the character does something different, every week. I think that's really interesting.
Age, style, where you come from, where you were born, it's different every time, which, to me, is refreshing because it says that there isn't any one thing, one formula or kind of character that makes a great comedian. Everybody has had a different approach.
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