A Quote by Chrissie Hynde
What characterized the whole punk scene for me in 1977 was there was no racism or sexism. It was an anarchy of -isms, and a matter of abolishing it all.
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Ageism is a variation of racism or sexism, all the other isms.
We know longer live in a homogenous society, it is not black, white, Asian or Latin, it is a melting pot. Until we learn to assimilate and learn about other cultures, we will continue to have racism problems. Of course, there are other '-isms' as our ills. We have sexism, ageism, elitism, homophobia-ism, there are many -isms we have to overcome.
Simple peck-order bullying is only the beginning of the kind of hierarchical behavior that can lead to racism, sexism, ethnocentrism, classism, and all the other 'isms' that cause so much suffering in the world.
I also often hear people say that the deck is stacked against them because of racism, sexism, or other oppressive 'isms.' But once you let go of the blame and excuses, you'll see that you can alter your position on your own.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
My generation's apathy. I'm disgusted with it. I'm disgusted with my own apathy too, for being spineless and not always standing up against racism, sexism and all those other -isms the counterculture has been whining about for years.
Jonestown was supposed to be a great socialist experiment, a place where all the evil "isms" would be eradicated: racism, sexism, elitism. This appealed to blacks and white progressives alike. Fed up with racist "AmeriKKKa," they were going to start their own society, on their own terms.
Speciesism is morally objectionable because, like racism, sexism, and heterosexism, it links personhood with an irrelevant criterion. Those who reject speciesism are committed to rejecting racism, sexism, heterosexism, and other forms of discrimination as well.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
There is bias and sexism everywhere, just like there are problems of racism and homophobia stemming from the whole notion that we're arranged in a hierarchy, that we're ranked rather than linked.
My point is you can fight racism and sexism and homophobia more effectively if you're doing it from the position that you're standing for the dignity of all people, and that you're actually standing for the underdog in the red states and the blue states. I think it's more effective when you're anti-racism and anti-sexism and anti-homophobia and that is the centerpiece for a project to uplift all humanity, and frankly to defend and uplift the children of all species.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
Racism is over in the 'Star Trek' future, but they found a way to comment on sexism and racism in the present day in such a subversive and smart way, you know?
Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.
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