A Quote by Chrissie Hynde

I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I certainly didn't want to be in a punk rock band, because I had already been in a punk rock band. I wanted to be in a band that could do anything - like Led Zeppelin.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
I kind of remember a friend of mine saying, like, you guys should make a rap record. You know, because we were already making punk records. We were a punk band. And I kind of thought, that's crazy.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.
I wanted to be in a punk band before I had even heard any punk music.
Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
To begin with, the key principle of American indie rock wasn't a circumscribed musical style; it was the punk ethos of DIY, or do-it-yourself. The equation was simple: If punk was rebellious and DIY was rebellious, then doing it yourself was punk. 'Punk was about more than just starting a band,' former Minutemen bassist Mike Watt once said, 'it was about starting a label, it was about touring, it was about taking control. It was like songwriting; you just do it. You want a record, you pay the pressing plant. That's what it was all about.'
I was in a little punk band and we put out a few punk records that weren't very political, at all.
How could you look at CM Punk and not think that he has the 'it' factor? I don't think I'm any great visionary or genius because I saw something in CM Punk; I think everyone else is a stupid schmuck for not seeing it in CM Punk.
The fans never gave up on CM Punk. If CM Punk wants to be part of 'All In,' he can be part of 'All In.' But I am not putting it on him to draw those 10,000 seats. If we did have CM Punk, we would not tell you we had CM Punk - unless we didn't sell any tickets.
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam.
I formed a band when I was about 13, and we all listened to punk - or what we thought was punk!
I listened a little to punk when I was younger, but it was straight edge punk. It was nothing like what is going on now, like poppy punk.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
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